The Debate Begins: From Noble Savage to Last Man

2021 ◽  
pp. 27-41
Author(s):  
W. H. G. Armytage
Keyword(s):  
1960 ◽  
Vol 66 (1) ◽  
pp. 101-103
Author(s):  
Harold L. Wilensky
Keyword(s):  

2020 ◽  
Vol 44 (4) ◽  
pp. 79-100
Author(s):  
Courtney Elkin Mohler

The current television era, sometimes called “Peak TV,” was ushered in with serious creatordriven shows of the late 1990s. The increasingly frequent Indian character type of the manipulative, money-hungry, and usually criminal casino “chief”/CEO simultaneously offers dramatically significant guest-star roles for Native actors and reflects a neoliberal version of the Noble Savage fit for twenty-first century audiences. This article analyzes examples of the “casino Indian: characterization found in the award-winning television dramas The Sopranos, Big Love, The Killing and House of Cards. Adapting the figure of the imagined “Indian” to suit the anxieties of our political and economic moment, each of these critically acclaimed shows have created an image of “Indianness” in relation to “casinos” and thereby have added the casino Indian trope to the long-established line of “Indian” characters crafted by non-Native “experts,” writers, and artists of the stage and screen.


2012 ◽  
Vol 51 (6) ◽  
pp. 825-826 ◽  
Author(s):  
Daniel C. Jupiter
Keyword(s):  

2021 ◽  
Vol 27 (3) ◽  
pp. 155-160
Author(s):  
Artem D. Morozov

The article deals with the novel ‟Letters from a Peruvian Woman” (Lettres d'une Péruvienne, 1747) by Madame de Graffigny, which anticipates many ideas of Jean-Jacques Rousseau, including the notion of state of nature. The main character, a young Peruvian woman, who was taken away to France, embodies the concept of the ‟noble savage”. Unlike civilised Europeans she has high moral qualities, critically evaluates the institutions and customs of her time, and she aspires to the state of nature, though knowledge about this world did not make her happy. Madame de Graffigny uses the Peruvian theme according to the general interest in the age of Enlightenment in the Inca Empire, which was considered as idyllic society, organised under the laws of nature. She tries, like Jean-Jacques Rousseau, to display merits of savages and demerits of civilised Europeans. The intellectual influence of Madame de Graffigny and Jean-Jacques Rousseau on each other is confirmed by their personal contacts. As a result, we claim that the novel ‟Letters from a Peruvian Woman” was influenced by advanced philosophical ideas of the mid-18thcentury – this text stands at the origins of the concept of the ‟state of nature”, which eventually became one of the main terms of Rousseauism.


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