Fua Haripitak (1910–1993)

Author(s):  
Eksuda Singhalampong

Fua Haripitak was a modern Thai artist recognized for his pioneering role in modern Thai painting and his contribution to preserving classical Thai art. He was generally considered to be an avant-garde artist in his time, as he constantly challenged academic conventions and experimented with many artistic styles including Impressionism, Post-Impressionism, and Cubism. As a student of Silpa Bhirasri (1892–1962), Haripitak never stopped learning, exploring new methods or drawing new inspirations from both Thailand and abroad throughout his lifetime. His works of art are noted for their thick, bold brushstrokes and vivid colors, through which he aimed to capture impressions and experiences of different places and the moods of each moment. His 1949 landscape painting Petchaburi won him the Gold Medal Award from Thailand’s First National Exhibition of Art the same year. Haripitak won three consecutive first prize awards in painting from the National Exhibition of Arts. In 1985, he was awarded the National Artist of Thailand in Fine Art and Visual Art.

Author(s):  
Thuy N. D. Tran

The Young Vietnamese Artists Association (YVAA; 1966–75) was an avant-garde artist collective founded in Saigon in November 1966 in the Republic of Vietnam (South Vietnam; 1954–75). Also referred to as the Society of Saigonese Young Artists, the majority of its members were under the age of thirty and were recent graduates of the National College of Fine Arts, Saigon (est. 1954) and the Fine Arts College of Hue (est. 1957). The YVAA’s mission was to foster a new direction for visual art in Vietnam that would better reflect the cultural internationalism and modernization of the era. While YVAA artists experimented with a variety of artistic styles, abstract works influenced by the modernist styles found in the School of Paris—including Lyrical Abstraction, Cubism, Fauvism, and Naive Art—were prevalent. Initiated by art collector Dr Nguyễn Tấn Hồng and artist Ngy Cao Uyên (YVAA’s founding president), the Association’s founding members were mainly painters and sculptors: Vị Ý, Cù Nguyễn, Âu Như Thụy, Nguyễn Trung, Trịnh Cung, Nguyên Khai, Hiếu Đệ, Nguyễn Phước, Mai Chửng, Đinh Cường, Nghiêu Đề, Nguyễn Lâm, Hồ Hữu Thủ, and Hồ Thành Đức. With frequent sponsorships from the Goethe Institut and the Alliance Française, the YVAA became a driving force behind Saigon’s arts scene.


1993 ◽  
Vol 48 (7) ◽  
pp. 717-719
Author(s):  
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