Diamang’s urban project

Author(s):  
Ana Vaz Milheiro ◽  
Beatriz Serrazina
Keyword(s):  
2011 ◽  
Vol 3 (10) ◽  
pp. 1-3
Author(s):  
Dr. Mini Sharma ◽  
◽  
Dr. G.P. Soni Dr. G.P. Soni ◽  
Dr. Nitin Sharma
Keyword(s):  

Author(s):  
Smail Khainnar

Dans une démarche du projet urbain, la multiplicité d’acteurs, la nature complexe de l’objet urbain, les temporalités générées par la démarche, constituent autant d’éléments qui complexifient le déroulement et l’issue de la démarche. L’objet de cette étude est d’identifier les besoins informationnels qui servent à faire avancer le travail des acteurs impliqués. In an urban project approach, the multiplicity of actors, the complex nature of the urban object, the temporalities generated by this approach, constitute as many elements complexifying the course and the success of this approach. The object of this study is to identify the information needs which are used to enhance the work of the implied actors.


1977 ◽  
Vol 46 (2) ◽  
pp. 190
Author(s):  
Archie B. Moore ◽  
William Moore
Keyword(s):  

2017 ◽  
Vol 9 (11) ◽  
pp. 2038 ◽  
Author(s):  
Christien Klaufus ◽  
Paul van Lindert ◽  
Femke van Noorloos ◽  
Griet Steel

Social Forces ◽  
1970 ◽  
Vol 48 (4) ◽  
pp. 546
Author(s):  
Sidney Kronus ◽  
William Moore
Keyword(s):  

2016 ◽  
Vol 40 (2) ◽  
pp. 121-130
Author(s):  
Ana María Rigotti

Intuited during Le Corbusier’s trip to Sudamerica in 1929 and developed in 1937, the plan for Buenos Aires contradicts general assumptions about his early urban theories. It is not a generic proposal that breaks with the inertia of geographical, histori- cal and formal precedents. On the contrary, it follows Marcel Poëte theory of the cities as organic souls whose destiny is registered in their birth. The Plan is founded on an interpretation of the geographic settings and proposes a metamorphosis of the city on their own footprints, such as they were sketched on a map of 1713. This radical change in Le Corbusier’s formal and theoretical presumptions is due to the intuition of buildings with engineering scale in contrast with the magnitude of the American landscape. Also to the material provided by a previous urban project for Buenos Aires by the Comisión de Estética Edilicia (1925) with a clear agenda for the urban future and a historical interpretation of its historical development filled with old maps and photographs: this publication acted as a hidden dossier and inspired Le Corbusier’s proposal.


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