The Critic as Rasik: Pramatha Chaudhuri, Tagore, and the New Language of Literary Writing

Author(s):  
Rosinka Chaudhuri
Keyword(s):  
2009 ◽  
Vol 54 (1) ◽  
pp. 103-119
Author(s):  
Matthias Bickenbach

Eine der zentralen Fragen moderner Poetik ist, wie der Werkentstehungsprozeß von kreativer Materialfülle zur ästhetischen Bestimmtheit des Erzählten als autonomem Kunstwerk übergeht. Sten Nadolnys Poetikvorlesung gibt überraschende Einsichten in die Selbstorganisation von Steuerungsbewegungen, die noch unterhalb der Ebene des Schreibens liegen und die als Theorie der Eigenwerte in der Literatur herauszustellen ist. One of the central questions in modern poetics is, how literary writing proceeds from the creative richness of its material to an aesthetic determination as autonomous art. Sten Nadolnys lectures on his poetics enable an astonishing insight into the self-organisation of operations beyond writing, which can be considered as a theory of self-values in literature.


2017 ◽  
Vol 85 ◽  
pp. 131-149
Author(s):  
Minhyun Cho
Keyword(s):  

Slavic Review ◽  
2020 ◽  
Vol 79 (4) ◽  
pp. 709-730
Author(s):  
Matthew Mangold

In light of the historical circumstances surrounding Anton Chekhov's early writing career and his own statements about the importance of medicine to it, there is surprisingly little scholarship on how medicine shaped his prose. What ideas was he introduced to in medical school and how did he apply them? Which of these drew his attention as he strove to articulate a new artistic vision? How did Chekhov draw on his experience with medicine to experiment with new themes and forms in his literary writing? This article addresses these questions by focusing on the aspects of medicine that had the most discernable influence on Chekhov as he developed his literary writing: hygiene, clinical medicine, and psychiatry. It argues that Chekhov engaged with core issues of medicine not only as a medical student who wrote case histories of his patients, but also as a groundbreaking writer. As he transcodes insights from the clinic into his prose, he creates a new conception of details that disclose relationships between settings and characters and an environmental psychology emerges across his medical writing and fiction. His stories envision relationships between physical and mental life with such originality that he becomes a new literary force not long after completing his medical education.


2018 ◽  
Vol 30 (4) ◽  
pp. 40-53
Author(s):  
Mohammad Shafiqul Islam

Jhumpa Lahiri’s latest book, In Other Words, is an autobiographical text that highlights the author’s journey to a new land and language. She grows up in America, communicates in Bengali with her parents during her early childhood and uses English in school; a sense of ambivalence about language dawns in her at this time. Her parents insist that Bengali be a dominant language in her life, but she falls in love with English, which later becomes her own language and the medium of her literary writing. During her doctoral studies, she feels an impulse to learn Italian and desperately strives to speak and write in that language. In Other Words, originally written in Italian, is the ultimate outcome of her aspirations to learn Italian. As the author switches from one language to another, from Bengali to English, and then from English to Italian, she forms an ambivalent sense of separation and proximity. This article seeks to explore Lahiri’s love for language, her sense of alienation and belonging, loss and achievement, and her search for identity and metamorphosis.


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