scholarly journals Capturing "The Rabbits"

Author(s):  
Sarah Furlan

The Rabbits, written by John Marsden and illustrated by Shaun Tan, is a beautifully designed yet melancholy allegory for the ‘discovery’ and subsequent colonisation of Australia. With its focus on Indigenous Australian history, Marsden has managed to summarise much of the Australian colonisation process in just 229 words. Since it was first published in 1998, the picture book has won multiple awards and continues to be a relevant text, with the issues depicted throughout still significant in Australia’s contemporary social and political spheres.

Author(s):  
Samuel White ◽  
Ray Kerkhove

Abstract Studies in Australian history have lamentably neglected the military traditions of First Australians prior to European contact. This is due largely to a combination of academic and social bigotry, and loss of Indigenous knowledge after settlement. Thankfully, the situation is beginning to change, in no small part due to the growing literature surrounding the Frontier Wars of Australia. All aspects of Indigenous customs and norms are now beginning to receive a balanced analysis. Yet, very little has ever been written on the laws, customs and norms that regulated Indigenous Australian collective armed conflicts. This paper, co-written by a military legal practitioner and an ethno-historian, uses early accounts to reconstruct ten laws of war evidently recognized across much of pre-settlement Australia. The study is a preliminary one, aiming to stimulate further research and debate in this neglected field, which has only recently been explored in international relations.


2019 ◽  
Vol 12 (3) ◽  
pp. 383-400 ◽  
Author(s):  
Muriel E. Swijghuisen Reigersberg ◽  
Jessie Lloyd

Academic authorship is an important way in which new knowledge about Indigenous Australian music and history is shared. Academic analyses, however, do not always successfully convey the emotive nature of this new historical knowledge. Publishing is also an exclusionary activity, relying on an author’s academic training and familiarity with the protocols for publication. In this article I will suggest that instead we conceive of practice as research (PaR) in music as a method that is able to increase the participation of Indigenous people in the shaping of our communal understanding of Australian history. Performance as PaR allows more stories to be told by a diversity of people. In the hands of a good PaR researcher, performances are better able to communicate the emotive nature of colonial histories, broadening our understanding of Indigenous experiences of colonialism and how these impact on conciliation. Through documenting my work with Indigenous researcher and performer Jessie Lloyd I will argue that PaR is a method well suited to Indigenous contexts, reflecting Indigenous cultural practices using oral formats that rely on story, interpersonal relationships and participation.


2019 ◽  
Vol 3 (1-2) ◽  
pp. 168-195 ◽  
Author(s):  
Vivien Heller

This paper is concerned with embodied processes of joint imagination in young children’s narrative interactions. Based on Karl Bühler’s notion of ‘deixis in the imagination’, it examines in detail how a 19-month-old German-speaking child, engaged in picture book reading with his mother, brings about different subtypes of deixis in the imagination by either ‘displacing’ what is absent into the given order of perception (e.g. by using the hand as a token for an object) or displacing his origo to an imagined space (e.g. by kinaesthetically aligning his body with an imagined body and animating his movements). Drawing on multimodal analysis and the concept of layering in interaction, the study analyses the ways in which the picture book as well as deictic, depictive, vocal and lexical resources are coordinated to evoke a narrative space, co-enact the storybook character’s experiences and produce reciprocal affect displays. Findings demonstrate that different types of displacement are in play quite early in childhood; displacements in the dimension of space and person are produced through layerings of spaces, voices and bodies.


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