Characteristics of Aboriginal and Torres Strait Islander Smokers Exposed to Anti-smoking Marketing in South Australia

Background: Smoking is disproportionately prevalent among Aboriginal and Torres Strait Islander Australian peoples, with 39% of Indigenous Australians aged over 15 years smoking daily. Efforts to reduce this high prevalence include culturally focused media campaigns, designed using community consultation, highlighting the need to determine how such health messaging is received by smokers. This study aimed to examine Indigenous Australian smokers’ reactions to a culturally focused anti-smoking mass media campaign—'Give up Smokes’. Methods: Intercept surveying across health services and events used recorded demographics, smoking status, quit attempts, smoking health effects, anti-smoking campaign recall, social support, and campaign reactions. Participants rated campaign images in five domains: 1) whether it made them stop and think; 2) personal relevance; 3) believability of design and message; 4) prompting concern about smoking; and 5) motivation towards quitting. Cluster analysis was used to segment smoker types. Results: Smoking health effects knowledge was high, and did not differ by quit readiness, attempts, or social support. Cessation support access was higher among those with greater readiness to quit. Social smoking behaviour and confidence to support others quitting did not significantly differ between participants, however importance of others quitting did. Quit readiness, attempts, and social support were associated with reaction to campaign design, but not message recall. Four types of smokers were described, using smoking characteristics, who differed in campaign message reactions. Conclusions: Strategies using campaign-exposed smoker characteristics to inform culturally focused health promotion are discussed in relation to four identified types of smokers.

Trialing geophysical techniques in the identification of open Indigenous sites in Australia: A case study from inland northwest Queensland

The use of geophysical techniques as an aid to archaeological investigations has become common-place, however these methods have only occasionally been applied in Indigenous Australian archaeology. This is despite recognition (and recommendations) since the 1970s that such approaches have the potential to yield positive results in such contexts (e.g. Connah et al. 1976; Stanley 1983; Stanley and Green 1976). Australian archaeologists have perhaps been reluctant to embrace these techniques because of their perceived high cost (both of equipment and specialist staff) and the subtle nature of subsurface Indigenous sites as geophysical targets. Nevertheless, there have been a number of recent applications of these techniques in Australia, particularly in relation to burial and hearth sites. We report the results of a pilot study conducted in northwest Queensland. This study aimed to test the applicability of geophysical methods being routinely employed to locate a variety of open site features (particularly hearths and middens) as part of reconnaissance surveys. While not being entirely successful, this study demonstrated that certain archaeological features can be readily identifi ed using geophysical techniques, though further research and trials should be carried out to refi ne the uses of these techniques to allow their more widespread applicability.

‘Witnessing the Violence of the Settler State in Alexis Wright’s Carpentaria and Lee Maracle’s Celia’s Song’

A Canadian literary scholar based in Australia, I read “Aboriginal/Indigenous” Australian and Canadian literatures in English as sites where the ways in which we perceive racial and cultural violence might be re-configured. Cognizant of the role that literary studies discourse has had and continues to have in these nations as a tool for the maintenance of official, state-recognised ‘reconciliation’ narratives, my work looks instead to the literary encounter itself as a potential site for registering, or witnessing, the violence that the settler state attempts to screen off behind the scenes of its official attitudes towards reconciliation. This article will explore the concept of literary witnessing in an archive of trans-Indigenous literature across settler colonial states, linking award-winning authors Alexis Wright (Waanyi, writing in Australia) and Lee Maracle (Sto:lo, writing in Canada). Analysing Wright’s Carpentaria and Maracle’s Celia’s Song, I trace how these novels enact and inspire, but also complicate, witnessing in Canada and Australia (both of which maintain official policies of inclusion and multiculturalism, but are actually held up by a regime of continuing racialized violence). I also examine how these works of literature model ignorance and choosing to turn away as a form of violence and a roadblock to justice. Finally, I ask how these novels might provide models for subjectivity and justice that subvert the judiciary systems of these settler states, dislodging ‘witnessing’ from its place in discourses of state-authorized “justice”, and placing it in the realm of Indigenous law and the potential of an ethical (literary) encounter.

Building evidence to reduce inequities in management of pain for Indigenous Australian people

Objectives Pain is a universal experience which each person encounters differently, guided by the psycho-socio-environmental context in which it occurs. Although more research is underway yet very little is known about pain from Indigenous Australian perspective. Therefore, this study aims to examine, experience of pain and coping, and utility of three measures: Brief Pain Inventory short form, McGill Pain Questionnaire and Numerical rating scale, from Indigenous South Australian people perspective. Methods Thirteen in-person interviews were conducted which lasted around 90 min and were audio-recorded. The transcripts were coded and analysed thematically with NVivo. Results Six key themes were identified; 1: Spiritual conceptualisation of pain; 2: Frequent experience of trauma and injury; 3: Influence of familial history of pain; 4: Acceptance of pain as normal; 5: Outlook on biomedical management of pain; 6: Preference for non-pharmacological management of pain. Also, the three measures did not fully capture pain from an Indigenous Australian perspective which is more deeply rooted in a bio-psycho-socio-spiritual context which is cardinal to conceptualization of health and wellbeing in Indigenous Australian communities. Conclusions Findings highlight some commonalities as well as unique differences between Indigenous experiences of pain as compared to non-Indigenous. Factors such as spiritual connection with pain, grief and loss, history of trauma and injury, fear of addiction to pain medication and exposure to pain from early childhood had important implications for how participants viewed pain.

Deep Donkey and Dadirri: asking Creatura out to play

This article is based on the premise that we are currently awakening to the full systemic impact of the emerging global ecological crisis which is already having a devastating effect on the ecosystems of the earth and also a highly destructive impact on psychological well-being. The ecological crisis has coincided with the painful awakening to the social and environmental destruction that has resulted from the legacy of a colonial world view of nature and culture. These events now demand a radical and deep adaption of our view of nature and culture. It is becoming clear that we are facing not only an ecological break down and a narrative collapse, but also a breakdown in how to make sense of what we are facing. This article explores how systemic psychotherapy and Gregory Bateson’s work on the gnostic ideas of pleroma and creatura, can provide a framework to support the Decolonial Turn but also an EcoSystemic Return. This article uses the children’s game of Donkey and the Indigenous Australian practice of Dadirri to playfully explore how we might overcome Bateson’s notion of epistemological error when engaging with systemic practice, Indigenous nature practice and quantum physics. The article suggests an imaginary game of Deep Donkey to overcome the destructive legacy of Cartesian dualism at the core of western culture and to begin to open western imagination to an intra-subjective dialogue with nature. I suggest the game of Deep Donkey could a helpful practice in realigning western thinking with sophisticated and long subjugated Indigenous ecological and cultural wisdom.

Songlines: Preserving cultural heritage through architecture

<p>In indigenous Australian culture, the ‘Songlines’ represent the routes across the landscape followed by the original ‘creator-beings’ of the ‘Dreaming’. The ‘Songlines’ describe the locations of mountains, waterholes, ravines, and other landscape features that were ‘created’ by the movements and interactions of the creator-beings. Throughout Australia’s vast history, the indigenous peoples have recited the Songlines as oral narratives for the next generation, while also using the Songlines to navigate across vast tracts of wilderness. But with the departure of a disenfranchised younger generation of indigenous Australians to cities and government settlements, the Songlines are at risk of being forgotten. Songlines are not merely navigation devices. They act as mnemonics that define cultural values, indigenous laws and ancestral heritage. Stories of the ‘Dreaming’ acknowledge the past, present and future. As such, they are capable of re-engaging Indigenous Australians with a sense of place, heritage,and values, that are so menaingful to there culture and religion. The sites for this design-led investigation are located in Arkaroola Sanctuary, Vulkanatha /Gammon Ranges and Ikara-Flinders Ranges - located in South Australia. This vast expanse of land is associated with the indigenous people known as the Adnyamathanha. The principal aim of this investigation is to conceive a series of collaborative architectural shelters that are designed and positioned in ways that can help reawaken, expose, and define characteristics of ‘Songlines’ for future generations. The architecture will act as a reminder of cultural values, while serving as a framing device to reveal the dynamic landscape features that form the Adnyamathanha’s traditional Songlines. This is to safeguard knowledge, and re-awaken awareness of ‘Songlines’ for younger indigenous peoples who have left their homeland and tribal region. The architectural shelters, as points of pause along the Songlines, act as mnemonic devices that help keep alive a vibrant and fundamental sense of cultural identity and place. The architectural interventions seek to diffuse boundaries between Indigenous and Non-Indigenous cultures – given the current integrated context of Australia.</p>

Songlines: Preserving cultural heritage through architecture

<p>In indigenous Australian culture, the ‘Songlines’ represent the routes across the landscape followed by the original ‘creator-beings’ of the ‘Dreaming’. The ‘Songlines’ describe the locations of mountains, waterholes, ravines, and other landscape features that were ‘created’ by the movements and interactions of the creator-beings. Throughout Australia’s vast history, the indigenous peoples have recited the Songlines as oral narratives for the next generation, while also using the Songlines to navigate across vast tracts of wilderness. But with the departure of a disenfranchised younger generation of indigenous Australians to cities and government settlements, the Songlines are at risk of being forgotten. Songlines are not merely navigation devices. They act as mnemonics that define cultural values, indigenous laws and ancestral heritage. Stories of the ‘Dreaming’ acknowledge the past, present and future. As such, they are capable of re-engaging Indigenous Australians with a sense of place, heritage,and values, that are so menaingful to there culture and religion. The sites for this design-led investigation are located in Arkaroola Sanctuary, Vulkanatha /Gammon Ranges and Ikara-Flinders Ranges - located in South Australia. This vast expanse of land is associated with the indigenous people known as the Adnyamathanha. The principal aim of this investigation is to conceive a series of collaborative architectural shelters that are designed and positioned in ways that can help reawaken, expose, and define characteristics of ‘Songlines’ for future generations. The architecture will act as a reminder of cultural values, while serving as a framing device to reveal the dynamic landscape features that form the Adnyamathanha’s traditional Songlines. This is to safeguard knowledge, and re-awaken awareness of ‘Songlines’ for younger indigenous peoples who have left their homeland and tribal region. The architectural shelters, as points of pause along the Songlines, act as mnemonic devices that help keep alive a vibrant and fundamental sense of cultural identity and place. The architectural interventions seek to diffuse boundaries between Indigenous and Non-Indigenous cultures – given the current integrated context of Australia.</p>