scholarly journals Death Wish in Poems of Anne Sexton and Stevie Smith

Author(s):  
Nazila HEIDARZADEGAN
Keyword(s):  
1998 ◽  
Vol 15 (2) ◽  
pp. 16 ◽  
Author(s):  
Julie Sims Steward
Keyword(s):  

2014 ◽  
Vol 26 (10) ◽  
pp. 1693-1702 ◽  
Author(s):  
Anke Bonnewyn ◽  
Ajit Shah ◽  
Ronny Bruffaerts ◽  
Koen Demyttenaere

ABSTRACTBackground:Death wishes are not uncommon in older persons, and to date, several risk factors have been identified. The presence of these risk factors is insufficient to fully understand why some older people, who are exposed to them, develop a wish to die and why others do not. The purpose of the study was to explore whether Purpose in Life as well as other life attitudes are associated with a death wish in older males and females.Methods:The sample comprised 113 older inpatients (from a psychiatric and somatic ward) with a mean age of 74 years. Psychiatric diagnoses were assessed by the SCID-II. Logistic regression analyses estimated the unique contribution of (the interaction between) life attitudes and gender to the wish to die, controlling for sociodemographic variables, depressive disorder, and somatic symptoms.Results:We observed a statistically significant relationship between life attitudes and the wish to die. Purpose in Life and the Purpose in Life*Gender interaction explained significant additional variance in the prediction of the wish to die. Purposelessness in life might therefore be an important correlate of a wish to die, especially in older men, independently from sociodemographic and clinical features.Conclusions:In assessing a wish to die in older adults, life attitudes need to be taken into account, besides the presence of a depressive disorder and/or somatic health. More specifically, finding or maintaining a purpose in later life might be an important feature in the prevention of the wish to die, especially in male persons.


2018 ◽  
pp. 102-115
Author(s):  
Zsófia Domsa

I Am the Wind is one of the last works Jon Fosse wrote for theatre. The piece was first staged during the Bergen Festival in 2007. Even though it was only a few years later that Fosse declared the end of his dramatic career, his playwriting with this play is clearly moving on its way out of the theatre and into a borderland between thought and action; it manifests an extremely subjective and the physical presence in which items from Fosse’s poetry are more clearly seen. In this article, I want to read I Am the Wind primarily as a theatre piece, that is, a text written for the stage, and emphasize the use of poetic elements. The piece’s sections of dialogue revolve around existential and individual psychological questions at the boundary of the banal; it thematizes both the need and the fear of loneliness. It also deals with nature’s magical attraction to humans and with the importance of silence on several levels. The work stages the death wish of late modern humanity, and provides lyrical and language-philosophical interpretations of this, which I wish to read into the apparently simple plot of the piece. I Am the Wind can be described through a number of features that also characterize both earlier and later pieces of Fosse’s writing. Simply put, the play is about two people’s voyage to the open sea in a boat; one of the characters jumps overboard and commits suicide. The situation in the play takes place either in the head of the one who witnesses the suicide, or there is a meeting between the two characters after death. Either way, this is a basic situation which assumes that the expectations of a realistic stage action are to be set aside. But what is the reason why Fosse shifts his piece against a dramatic zero point? What is the purpose of reducing the stage expression to a lyrical outline that almost destroys the theatrical form? Fosse often opts for silent moments in his pieces. I Am the Wind is an infinite and enigmatic boat trip that requires us to look at the play as a landscape without being forced to define it in words: for the words disappear during the boat trip; they are taken and gone with the wind; “there is no point in saying anything.”


1975 ◽  
Vol 54 (2) ◽  
pp. 86
Author(s):  
Maurice Parkes ◽  
John M. Ackland
Keyword(s):  

2011 ◽  
Vol 209 (2800) ◽  
pp. 31
Author(s):  
Dave Goodwin
Keyword(s):  

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