Rosalind on the Black Star Line

Author(s):  
Cheryl Higashida

This chapter focuses on Alice Childress to consider the legacy of Garveyism for the postwar Black Left. Despite historical animosity between Marcus Garvey and the Old Left, younger anticolonial radicals recognized Garvey as a political forefather. Childress's novel, A Short Walk (1979), contributed to and intervened in the renaissance of Garveyism among Black radicals and nationalists. Childress exposed Garveyism's rigid hierarchies of gender and sexuality through juxtaposing chronotopes of the ship and the traveling minstrel show. Through conventions of minstrelsy, Childress imagines an alternative space—the drag ball—that unmoors Black/American identities from heteropatriarchal roles. In exploring the radical potential of minstrel drag, Childress drew upon her experience as a Black Left actor and playwright.

2020 ◽  
Vol 7 (1) ◽  
pp. 26-39
Author(s):  
Kyle A. Simon ◽  
Cassandra P. Vázquez ◽  
Samuel T. Bruun ◽  
Rachel H. Farr

Author(s):  
Lena Wånggren

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.


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