100% Pure Adrenaline

Author(s):  
Luke Collins

This chapter analyzes the quintessential action movie, Point Break (1991), arguing that we experience the film as generic surface. Despite critical efforts to construct the film as a creative play with masculinity or with the action genre, the film remains culturally and politically ambivalent. As is often noted, Point Break repeats the “vessel” of the action genre without rupture, spillage, or slippage. In this sense, Point Break expresses an awareness of its cultural/commercial form by filling out the homosocial trope latent in the action genre's intense male relationships and fetishization of the male body. However, at no point does it seek to exceed, parody, ironize, or reflect upon its genre. The fullness that this produces is a flatness: a surface. This surface is not a negative construction but provides a way to address the network of relations between film, audience, and industry.

2006 ◽  
Author(s):  
Derek Bergeron ◽  
Tracy L. Tylka
Keyword(s):  

2013 ◽  
Author(s):  
Hannah L. Weisman ◽  
Elaine Patten ◽  
Marcus Montanez-Leaks ◽  
Mercedes Yee ◽  
Alison M. Darcy ◽  
...  

2007 ◽  
Author(s):  
Renee Marie Gibbs ◽  
Kristin Byington ◽  
Alexandria Murallo ◽  
Leigh Anne Randa

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2003 ◽  
Vol 26 (1-2) ◽  
pp. 187-197 ◽  
Author(s):  
Rosalind Gill
Keyword(s):  

Paragraph ◽  
2003 ◽  
Vol 26 (1-2) ◽  
pp. 175-186
Author(s):  
John Lynch
Keyword(s):  


2020 ◽  
Author(s):  
Daniel Talbot

Body dissatisfaction can be defined as a negative subjective evaluation of one’s body as a whole, or relating to specific aspects of one’s body such as body size, shape, muscularity/muscle tone, and weight. Prior research has found that body dissatisfaction is associated with a number of negative psychological and physiological outcomes. This commentary describes the Western ideal male body, as well as providing a summary of theories of the cause and maintenance of male body dissatisfaction.


2004 ◽  
Vol 5 (3) ◽  
pp. 228-237 ◽  
Author(s):  
David Tager ◽  
Glenn Good ◽  
Julie Morrison

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