Times and masks in texts by and about Emiliyan Stanev

Proglas ◽  
2021 ◽  
Vol 30 (2) ◽  
Author(s):  
Venelin Grudkov ◽  

The article explores the masks Emiliyan Stanev uses to participate in the literary life of the People’s Republic of Bulgaria. It also analyzes the attitude of literary scholarship towards the writer’s various manifestations. It comes to the conclusion that in order to defend his literary existence and to ensure literary publicity for his texts, the author had to simultaneously perform several – in certain cases mutually exclusive – social roles.

2009 ◽  
Author(s):  
Richard Robert Madden ◽  
Marguerite Blessington
Keyword(s):  

2020 ◽  
Vol 56 (1) ◽  
pp. 70-80
Author(s):  
Alexander Noyes ◽  
Frank C. Keil ◽  
Yarrow Dunham

2014 ◽  
Author(s):  
Anne Koenig ◽  
Alice Eagly
Keyword(s):  

1997 ◽  
Author(s):  
Kennon M. Sheldon ◽  
Richard M. Ryan ◽  
Laird J. Rawsthorne ◽  
Barbara Ilardi
Keyword(s):  

1998 ◽  
pp. 71-74
Author(s):  
M. E. Nielsen

I suggest a description of the theory that I find applicable to understanding self-knowledge. The theory of its own complexity focuses on the structure of individual thoughts about themselves. Own complexity concerns two features of a person's self-determination: the number of social roles that a person has, and the ability of a person to differentiate among these roles. For example, I would be considered a weak bearer of the idea of ​​my own complexity if I considered myself as the bearer of a relatively small number of roles and I would describe existing roles as similar to those that I carry out. I would have a greater degree of my own complexity if I looked at the number of roles I increased and made more distinctions between them.


Jane Austen is acknowledged for the application of realism and satire in her novels. This paper focuses on the analysis of realism and satire in Jane Austen’s Pride and Prejudice; however, her entire oeuvre spotlights the features (of satire and realism) alongside robust feminism: typical of her literary taste and temperament, not necessarily of the Romantic Age which she lived in. Rigorous analysis and realistic observation reveals that the employment of realism and satire in Pride and Prejudice, are quite obvious, in all sorts of aspects including narrative, settings, themes and characters. Analysis of the novel under study leads to the observation that satire and realism go hand in hand in the said novel—intermittently—and thoughtfully. Conclusively, it is observed that Jane Austen’s literary life had a tremendous influence on how to subsume realism (primarily through matrimonies) of age and satire on a romantic society (whereby ideals collapse headlong), in Pride and Prejudice.


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