Prelude: Beginnings

2019 ◽  
pp. 1-12
Author(s):  
William Brooks ◽  
Christina Bashford ◽  
Gayle Magee
Keyword(s):  
The Other ◽  
Great War ◽  
University Of Illinois ◽  
American Composers ◽  
Western Front ◽  
Present Volume ◽  
The Great War ◽  
A Performance

The path to this volume has occupied nearly the full duration of the centennial of the Great War. The three collaborators and coeditors (who are still friends, amazingly) began by organizing a pair of international conferences: Over Here and Over There (University of York, England, February 27–28, 2015); and 1915: Music, Memory, and the Great War (University of Illinois, March 10–11, 2015). The first of these, conducted in tandem with an undergraduate module taught by William Brooks, included numerous performances, presentations, and exhibits by students and scholars, including Gayle Magee, Christina Bashford, and Deniz Ertan, each of whom has contributed to the present volume. The second conference included papers by many of the other authors represented here, with yet others in attendance; it included a performance by a Canadian troupe that re-created an entertainment given by Canada’s legendary “Dumbells” at the western front during the war and a recital by tenor Justin Vickers and pianist Geoffrey Duce, who presented multiple settings by English and American composers of the iconic text “In Flanders Fields.”...

scholarly journals On the mesodermic origin and the fate of the so-called mesectoderm in petromyzon

1915 ◽  
Vol 88 (606) ◽  
pp. 457-475 ◽  
Keyword(s):  
Present Note ◽  
Scientific Journal ◽  
The Other ◽  
Great War ◽  
Long Time ◽  
Epithelial Structure ◽  
Principal Points ◽  
The Great War ◽  
Branchial Region

About 20 years ago v. Kupffer (85) described in the embryos of Petromyzon an epithelial structure extending, between the ectoderm and the somatic plate of the mesoderm, from the head to the posterior boundary of the branchial region, and described it under the name of the neurodermis; subsequently, he bestowed on it the name branchiodermis. Seventeen years later the same structure was again discovered by Koltzoff (02), who identified it with the mesectoderm which was described by Miss Piatt (94) in Necturus embryos. Subsequently, so far as Petromyzon is concerned, nothing was published until last year, when a paper by Sehalk (13) appeared, although the corresponding layer of cells was described by A. Dohrn (02) in Selachii and by Brauer (04) in Gymnophiona. For a long time the origin and fate of the layer in question engaged my attention. Last summer I was able to re-examine my sections and to confirm observations which I had previously published in a paper entitled “Die Bildungsweise und erste Differenzierung des Mesoderms beim Neunauge ( Lampetra mitsukurii , Hatta),” in which, the origin and differentiation of the so-called mesectoderm are described and illustrated by a series of microphotographs. To my regret the paper, which was ready for press when the great war broke out, could not be sent to the editor of a certain scientific journal in Belgium, who had promised to publish it in his journal. The present note is an attempt to communicate some of the principal points of that paper which relate to the mesectoderm. The other organs dealt with in the above-mentioned paper have already been described in preliminary notes or in my previous papers.

David Malouf’s Fly Away Peter (1982)

2021 ◽  
pp. 64-76
Author(s):  
Kathleen Riley
Keyword(s):  
Bird Migration ◽  
Great War ◽  
Western Front ◽  
The Great War

The final chapter of Part I examines the theme of impossible nostos within David Malouf’s novella Fly Away Peter, which is set at the time of the Great War. The story traces the journey of a young Australian, Jim Sadler, from an Edenic bird sanctuary on the Queensland coast to the perverted pastoral of the Western Front where he realizes he has hitherto been living ‘in a state of dangerous innocence’. The principal motif Malouf employs is the miracle of bird migration, through which he explores the idea of homecoming, what it means to belong, to leave one’s home, and to return. The chapter concludes by focusing on the unconventional Penelope figure, Imogen Harcourt, whose solitary ruminations extend the book’s philosophical enquiry from the nature of home to the nature of being.

Remarque, Erich Maria (1898–1970)

2018 ◽  
Author(s):  
Irene Gammel
Keyword(s):  
World War I ◽  
World Wide ◽  
Great War ◽  
World War ◽  
Advertising Campaign ◽  
Western Front ◽  
Wide Readership ◽  
National Boundaries ◽  
The Great War ◽  
Quiet Day

Born Erich Paul Remark in Osnabrück, Germany, Erich Maria Remarque is best known for his influential anti-war novel Im Westen nichts Neues (1929, All Quiet on the Western Front). First serialized in the Vossische Zeitung in 1928, All Quiet was launched with an unprecedented advertising campaign. Hailed as ‘the great war novel’, the book spawned a world-wide readership with translations into over twenty-five languages, and a film (directed by Lewis Milestone) in 1930. Written within just a few months in 1927, All Quiet on the Western Front toys with autobiographical references. The protagonist Paul Bäumer is a nineteen-year old war veteran whose seemingly non-consequential death in October 1918, on a ‘quiet’ day on the Western front, stands for the shared fate of millions of soldiers obscured by the unprecedented violence and horror of World War I. Remarque changed his name after the war, dropping his middle name Paul, and adopting his mother’s name, Maria, while also Gallicizing the spelling of his last name, thereby blurring national boundaries.

Stimmungen, Spannungen, Visionen

2019 ◽  
Vol 60 (1) ◽  
pp. 339-371
Author(s):  
Max Graff
Keyword(s):  
World War I ◽  
Human Body ◽  
Great War ◽  
World War ◽  
Literary Magazines ◽  
Western Front ◽  
Military Surgeon ◽  
The Great War ◽  
Poetic Visions

Wilhelm Klemm, Expressionist poet and military surgeon on the Western front during World War I, published approximately 60 war poems, both in his collection Gloria! (1915) and in several literary magazines such as Franz Pfemfert’s Aktion. Some of them were soon hailed as eminently critical of common, glorifying poetic visions of war. This is certainly adequate; a closer scrutiny of the entire corpus of Klemm’s war poems, however, reveals a peculiar diversity which requires an awareness for their ambivalences. The article therefore considers three fields of inquiry: the poems’ depiction of the human body, their relation to lyrical paradigms focussed on nature and Stimmung, and ways of transcending both these paradigms and naturalistic representations of war and its effects. It thus identifies Klemm’s different modes of perceiving, interpreting and processing the experience of the Great War.

scholarly journals The Portrayal of the First World War and the Development of a National Mythology in New Zealand

2014 ◽  
Author(s):  
Arthur J. Pomeroy
Keyword(s):  
New Zealand ◽  
First World War ◽  
Religious Conflict ◽  
Great War ◽  
World War ◽  
Western Front ◽  
The First World War ◽  
The Great War ◽  
First World ◽  
National Mythology

The Memorial Window in the Hunter Building at Victoria University offers interesting insights into the commemoration of the Great War in New Zealand. The Frederick Ellis design shows  strong Anglican Christian iconography, in line with dominant traditions at the College up to the war. The Gallipoli campaign also features much more prominently than the Western Front, since it could be portrayed as a holy crusade against the Turk. As time passes, the ANZAC experience becomes part of the wider New Zealand mythology, but the religious conflict is expunged.

Mastering Revolution

2018 ◽  
Author(s):  
Leonard V. Smith
Keyword(s):  
Liberal Democracy ◽  
Labor Relations ◽  
International System ◽  
The Other ◽  
International Labour Organization ◽  
Great War ◽  
Supreme Council ◽  
Paris Peace Conference ◽  
The Great War

Revolution in various forms had been endemic to the Great War. The Paris Peace Conference sought not so much to oppose revolution as to master it in the formation of a new international system. It created the International Labour Organization to institutionalize a transnational approach to labor relations, and thus head off worker unrest as a source of revolution. The Mandate Principle put all mandates at least theoretically on the path to independence, however indefinite the period of tutelage. The Mandate Principle, at least discursively, provided a means of pre-empting anti-colonialism as a source of international instability. The conference also sought to master revolution in successor states. Recognizing Czechoslovakia as a model liberal democracy provided a template ill-suited to recognizing the other successor states. The war between Romania and Hungary in 1919–20 left the Supreme Council with recognition as its only means to control the behavior of successor states.

Itineraries of the Great War and the rise of the local on the Western Front: Memory, commemoration and the shifting regimes of remembrance tourism

2018 ◽  
Vol 13 (6) ◽  
pp. 1166-1182 ◽  
Author(s):  
Rafiq Ahmad ◽  
Anne Hertzog
Keyword(s):  
Great War ◽  
Spatial Order ◽  
Western Front ◽  
The Great War ◽  
Local Perspectives

The mainstream grand narratives of the Great War have tended to disregard local perspectives from territories on the Western Front. Using on-the-field visits of battlefields, interviews with stakeholders and analysis of battlefield guidebooks and itineraries, this article addresses these gaps by examining local assertions in the re-invention of battlefield itineraries and remembrance trails of the Great War, the new socio-spatial order they establish and discordance of perspectives it triggers between the nation and the territory. The itinerary, thus, devised by memory entrepreneurs and performed by visitors on the ground becomes an ‘effort of remembrance’ and a dynamic scheme mediating between participants and place.

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