“... NÃO SEI EXATAMENTE O QUE EU DEVO DIZER PARA FAZER COM QUE TENHA RELAÇÕES COMIGO...”: John Nash e as (in) Habilidades Sociais

Patricia Carla Reis; Anne Cavalcanti da Silva; Edvânia de Oliveira

doi:10.5752/p.1984-6606.2020v20n57p103-110

“... NÃO SEI EXATAMENTE O QUE EU DEVO DIZER PARA FAZER COM QUE TENHA RELAÇÕES COMIGO...”: John Nash e as (in) Habilidades Sociais

Revista Economia & Gestão ◽

10.5752/p.1984-6606.2020v20n57p103-110 ◽

2020 ◽

Vol 20 (57) ◽

pp. 103-110

Author(s):

Patricia Carla Reis ◽

Anne Cavalcanti da Silva ◽

Edvânia de Oliveira

Keyword(s):

John Nash

O presente caso para ensino apoia-se no filme, lançado em 2001, “Uma Mente Brilhante” (A Beautiful Mind), o qual é dirigido por Ron Howard, e se baseia na história real do matemático John Forber Nash (1928-2015). Procura-se por meio do relato de duas cenas do filme, estimular os discentes a refletirem sobre os conceitos de competência e habilidade social e o papel central desses conceitos no desenvolvimento humano e nas relações interpessoais. O caso tem sua aplicação destinada às disciplinas da área de gestão de pessoas e administração que foquem competências comportamentais, e pretende auxiliar o profissional de educação no trabalho deste tema em sala de aula.

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That Obscure Object of Desire: John Nash and the general theory of the second best (Revisiting the Year of Economics correspondence on the occasion of the untimely death of John and Alicia Nash on 23 May 2015)

Performance Research ◽

10.1080/13528165.2016.1192872 ◽

2016 ◽

Vol 21 (4) ◽

pp. 78-86

Author(s):

Abhay Ghiara ◽

Matthew Goulish

Keyword(s):

General Theory ◽

Second Best ◽

John Nash ◽

Untimely Death

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Alex F. McCalla, and John Nash (Editors). Reforming agricultural trade for developing countries. Volume 1: key issues for a pro-development outcome of the Doha Round. Washington. The World Bank, 2007

Journal of International Development ◽

10.1002/jid.1521 ◽

2009 ◽

Vol 21 (7) ◽

pp. 1042-1043

Author(s):

Habtu T. Weldegebriel

Keyword(s):

Developing Countries ◽

World Bank ◽

Agricultural Trade ◽

Doha Round ◽

John Nash ◽

The World Bank ◽

The World ◽

Key Issues

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John Nash. James Joyce and the Act of Reception: Reading, Ireland, Modernism. New York: Cambridge University Press, 2006. Pp. 220. $85.00 (cloth).

Journal of British Studies ◽

10.1086/522747 ◽

2007 ◽

Vol 46 (4) ◽

pp. 984-985

Author(s):

Damien Keane

Keyword(s):

New York ◽

James Joyce ◽

Cambridge University ◽

John Nash

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A Pantheon for Horses: The Prince Regent’s Dome and Stables at Brighton

Architectural History ◽

10.1017/s0066622x00002616 ◽

2015 ◽

Vol 58 ◽

pp. 141-158 ◽

Cited By ~ 1

Author(s):

Geoffrey Tyack

Keyword(s):

Ancient Rome ◽

Distinctive Features ◽

John Nash ◽

Modern Times ◽

Technological Advances ◽

The World ◽

Late Eighteenth ◽

The Last Two Millennia ◽

Recent Government

Domed rotundas have fascinated and challenged architects and engineers for the last two millennia. Examples can be found throughout the world, most commonly in religious and commemorative buildings, but also in the palaces and bath complexes of ancient Rome and in more recent government and legislative buildings. In modern times technological advances have allowed new and increasingly ambitious kinds of rotunda to be built — markets and exchanges, greenhouses and conservatories, concert and exhibition halls, sports arenas. The roots of this latter development lie in the late eighteenth and early nineteenth centuries, and one of the pioneering buildings still survives in the unexpected setting of the Royal Pavilion gardens at Brighton.The Brighton Pavilion has always been mainly associated with two people: George, Prince of Wales (the Prince Regent), who commissioned it, and John Nash, the architect who gave it its present exotic appearance. But it is easy to forget that the most distinctive features of the Nash exterior — the Indian-style domes and minarets — took their stylistic character from a building that was completed before he became involved with the Pavilion. This was the royal stables, designed by William Porden for the Prince, built in 1804–08, and now an arts complex.

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