creative genius
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2021 ◽  
Vol 32 (10-11) ◽  
pp. 825-828
Author(s):  
M. Mastbaum

A magnificent process of socialist construction is under way in our country. On a short historical stretch, we must build a classless society. All the achievements of science, everything created by the creative genius of man is widely used in this struggle for new forms of life.


2021 ◽  
pp. 141-147
Author(s):  
Patti Garrett Shade ◽  
Richard Shade

2021 ◽  
Vol 4 (6) ◽  
pp. 53-59
Author(s):  
Malika Makhmudova ◽  

The article is about restorers who have devoted their lives to the study, restoration and promotion of architectural monuments of Uzbekistan. Also, examples from the experience of restoration are given.Uzbekistan is a country of ancient culture, whose monuments are living witnesses of the creative genius of the people. Since the 1920s, significant works on their restoration are presented here, during which a kind of restoration school was formed, which is more than 100 years old; in this important matter, a special place belongs to two leading specialists -restorers -M.F. Mauer and B.N. Zasypkin. The article tells about the scientific and creative activities and the legacy of these restorers.The significance of the article lies in the application of the results of the conducted scientific research of the activities of restorers and architects of Uzbekistan in the modern practice of the restoration of architectural monuments. Also, the presentation of scientific methods for restoration on the example of the works of M. F. Mauer, B. N. Zasypkin, L. Yu. Mankovskaya, I. I. Notkin contributes to the preservation of the architectural heritage of Uzbekistan


John Selden ◽  
2021 ◽  
pp. 92-138
Author(s):  
Jason P. Rosenblatt

The Bible provides the scope for Selden and Milton to display their brilliance: one as a great scholar boldly following his vision of the truth wherever it leads, the other as a creative genius finally overcoming his strong precursor, the King James Bible, to become the supreme poet of the hexaëmeron. Selden focuses his biblical Hebraic and post-biblical rabbinic scholarship on New Testament passages, offering immensely learned and sometimes startlingly original readings of the Apostolic Decree (Acts 15:20, 29; and 21:25) and four events in the life of Jesus: his rebuke of the Jews regarding korban (Mark 7:9–12); his pronouncement that “the truth shall make you free” (John 8:31–2; his driving the money-changers from the temple (John 2:13–17); and his trial (Matt. 26:63–6). If God is Milton’s father, and his scriptural word is the strongest of all precursor texts, then the King James Bible is the most intimidating version of that text. Milton’s marginal Hebrew substitutions for the KJB Psalm translations (1648) reveal anxiety and defensiveness. But the creation account in book 7 of Paradise Lost compresses the verses of Genesis 1, reducing them to their constituent elements and then outdoing them with the energy and magnificence of his interlinear poetic commentary. The poet’s anxiety-free transcendence of the KJB in book 7 can be seen as part of a general sense of joyous creativity.


2021 ◽  
Vol 21 (1) ◽  
pp. 78-84
Author(s):  
Brîndușa Tudor

Abstract Year 2020 constitutes an incredibly significant landmark in the classical music history as it is the year celebrating 250 years since the composer Ludwig van Beethoven was born. The “32 Variations on an Original Theme in C minor” are deemed to be some of the most brilliant pianistic works marking the second period of Beethoven creation. The interpretative visions of Daniel Barenboim and Evgeny Kissin are equally interesting, the two great pianists putting their personality, sensitivity, and culture mark. All these elements confer upon the piece “32 Variations on an Original Theme in C minor” particular expressive valences highlighting Beethoven’s creative genius.


2021 ◽  
pp. 123-157
Author(s):  
Alex Brummer

This chapter focuses on the creativity in the UK, which manifests itself from the street music of Tottenham to the glamour of the Oscars and the James Bond movies. It focuses on the glittering successes of UK creativity as symbols of a much broader creative and inventive culture that make a muscular contribution to the UK's GDP, defy the usual rules of trading relations, and offer great hope for a rebooted UK. It also recounts how creativity in the shape of live performances and museum exhibitions was crushed by Covid-19, lockdown, and social distancing. The chapter highlights resilience as the glory of UK creativity, citing actor Bertie Carvel who took the initiative and organised a lockdown theatrical festival broadcast on Radio 3 in the summer of 2020. It looks at gaming, with its embrace of artifical intelligence, as a potent symbol of largely unseen achievements, such as the Google-owned machine 'AlphaGo.'


2021 ◽  
Vol 6 (2) ◽  
pp. 184-197
Author(s):  
Anna V. Toporova

The present article analyzes the last work written by Boris Zaitsev before emigrating from Russia: the article Dante and His Poem dedicated to Divine Comedy. At first glance, the article may seem to be a collection of sundry thoughts about Dante and his work. At the same time, its deeper meaning comes to the fore when one examines the main points made by the author and incorporates the article into his oeuvre as a whole. In the article, Zaitsev focuses on Dante as a human being (“history of the soul”) and on Divine Comedy as a fruit of his creative genius. Having lost his native country even before emigrating from it, Zaitsev desperately began to search for the “truth” in both life and work. In this quest, the exile and truth-seeker Dante served as Zaitsev’s Virgil in his voyage through unknown and often hostile territories. From this standpoint, Divine Comedy acquired a unique meaning for Zaitsev, who began to treat it as a Gospel of sorts. A comparison of this article with Zaitsev’s next work, the essay Saint Sergius of Radonezh that he wrote in emigration, shows the unified perspective of the writer’s work: the connection between truth and the Truth, between poetic word and the Word- Logos. Dante and Saint Sergius are shown as beacons and waymarks in the “gloomy forest” of life. Their life experience, described in the context of their difficult times, served as a source of strength and solace for Zaitsev and offered models of existential behaviour that helped him to break out from horror and gloom towards light and Truth.


The article presents the concept of a new explanatory dictionary of the language of creative personalities of Ukraine that reproduces the active content of the conceptospheres „spirituality”, „humanism”, „philanthropy”, „creativity”, „creative genius of mankind”, which reflect the trends of society, its creative energy, inexhaustible cognitive capabilities of language. The dictionary covers the time periods of the development of the Ukrainian language and society (the epoch of totalitarianism and the period of the new Ukrainian Renaissance), which have not as yet been the object of a systematic lexicographic description. The dictionary is modern in many respects. The dictionary presents new lexical and artistic achievements of Ukrainian writers and translators, which reflect all the complexities of modern life, fill them with linguistic achievements. new global thinking and worldview of creative personalities. The dictionary is valuable for the systematic study of neologization processes, features of semanticization, development of new models of metaphorization, etc. It is a guide to axiology and anthropology – new areas of knowledge about man and their worldview. The material of the dictionary, in particular neolexemes and golden metaphors of writers make it possible to study comprehensively not only the creative laboratory of masters of the word, the internal form of words, the motivational basis of powerful word formation, but also the combined creative experience of representatives of various creative directions – artists, musicians, composers, architects, theater figures and more. The explanatory dictionary combines linguistic and encyclopedic information for a deep perspective study of the creative genius of mankind, aimed at the high ideals of humanism and harmony of worldview. The dictionary is a rich source for a promising macroscientific study of the regularities of the development of Ukrainian linguistic thought concentrated on the conceptual dominants of Ukrainian national renaissance. The language of Oles Honchar’s epistolary is used as illustrative material for the article.


2020 ◽  
Vol 5 (3) ◽  
pp. 47
Author(s):  
Denis Bizhga

Folklore is one of the components and transmitters of a nation's national identity and its spiritual heritage. The great folkloric wealth of Albanian people shows its antiquity and creative genius. As the first creation of folklore, it is the basis for the creation and continuous functioning of other cultivated arts, such as: music, literature, choreography or other visual arts. Albanian folklore also represents a vital, early, stable and rich tradition. It is not a memory of the past, but it is alive and full of life and day by day it comes and is practiced articulated emotionally, developing, enriching and growing together with the Albanian people themselves, despite the many changes that are noticed in the realities of Albanian folklore in general. Through folklore, our people over the centuries manifested outstanding talent, spiritual expressive potential, great promotional skills. Albanian folk music tradition is generally an oral tradition based on the memory of the people; she did not feel the need for writing because she was born, spread and selected to live word of mouth and generation after generation, adapting to the needs and requirements of life.


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