From Upper Perigordian to the current Non-hierarchical Gravettian in the Cantabrian Region (Northern Spain): Recent changes, current challenges

Author(s):  
Marcel Bradtmöller ◽  
Alvaro Arrizabalaga ◽  
Aitor Calvo ◽  
Maria-Jose Iriarte-Chiapusso ◽  
Paloma de la
1992 ◽  
Vol 129 (4) ◽  
pp. 421-436 ◽  
Author(s):  
Teodoro Palacios ◽  
Gonzalo Vidal

AbstractAcritarchs are reported from basal Cambrian rock units inthe Cantabrian region of northern Spain that are known to contain archaeocyathan and trilobite faunas. Biostratigraphic correlation of the Iberian sequences with other regions has been hampered by the strong provincialism of these faunas. However, this report of evidently cosmopolitan acritarch taxaestablishes the time equivalence of early Cambrian trilobite faunas from Iberia, Baltoscandia and the East European Platform (EEP). Our data suggest that the detrital deposition of the Lower Cambrian Herreria Formation embraces at least three (and possibly four) Lower Cambrian acritarch zones previously identified in the EEP, eastern Siberia, Baltoscandia, Scotland, Greenland, Svalbard and western North America. The early Cambrian transgression in northern Spain was probably initiated in Talsy times (Schmidtiellus mickwitzi trilobite Zone in Baltoscandia and the EEP), in part corresponding to the Dokidocyathus regularis archaeocyathian Zone of the Middle Tommotian in Siberia.


2016 ◽  
Vol 29 (1) ◽  
pp. 79-116 ◽  
Author(s):  
Miriam Cubas ◽  
Jesús Altuna ◽  
Esteban Álvarez-Fernández ◽  
Angel Armendariz ◽  
Miguel Ángel Fano ◽  
...  

2016 ◽  
Vol 29 (2) ◽  
pp. 215-216
Author(s):  
Miriam Cubas ◽  
Jesús Altuna ◽  
Esteban Álvarez-Fernández ◽  
Angel Armendariz ◽  
Miguel Ángel Fano ◽  
...  

2012 ◽  
Vol 272-273 ◽  
pp. 111-124 ◽  
Author(s):  
Lawrence Guy Straus ◽  
Manuel R. González Morales

Antiquity ◽  
2018 ◽  
Vol 92 (364) ◽  
Author(s):  
Joseba Rios-Garaizar ◽  
Miriam Cubas ◽  
Diego Garate Maidagan ◽  
Iñaki Libano Silvente ◽  
Ander Ugarte Cuétara ◽  
...  

Newly discovered archaeological sites in the Uribe Kosta region of northern Spain are illuminating the establishment of late prehistoric coastal farming settlements and specialised tool-production activities.


Author(s):  
José-Carmelo CORRAL ◽  
Ana BERRETEAGA ◽  
Francisco José POYATO-ARIZA ◽  
Nathalie BARDET ◽  
Henri CAPPETTA ◽  
...  

The Quintanilla la Ojada section (Basque-Cantabrian Region, northern Spain) has yielded two assemblages of Late Cretaceous vertebrates, deposited during the Maastrichtian in coastal environments and related to a transgressive lag at the base of the Valdenoceda Formation. Numerous teeth of Elasmobranchii and Actinopterygii are the most prevailing fossil material, although scarce teeth of marine reptiles (Mosasauridae) and dinosaurs (Hadrosauridae) also occur. The presence of one hadrosaurian tooth, a terrestrial taxon, constitutes the first report of ornithischians in the Valdenoceda Formation. The fossil vertebrate association of Quintanilla la Ojada is similar to that discovered in Albaina (Treviño County, Burgos), also located in the Basque-Cantabrian Region, although relatively younger in age. Both fossil sites are characterised by a mixture of taxa from the northern and southern margins of the Mediterranean Tethys (north-European and north-African outcrops).


2018 ◽  
Vol 4 (1) ◽  
pp. 217-238 ◽  
Author(s):  
Liliana Janik ◽  
Jessica Cooney Williams

AbstractThis paper presents acts of fluting as tangible expressions of activities performed by Palaeolithic communities of practice, in which situated learning was part of the social transmission of knowledge and communities of practice include children, men and women. To identify individual members of the communities of practice who were involved in the creation of parietal art in the Franco-Cantabrian region we have analysed the age and the sex of the people who ‘decorated’ the caves. Secondly, by following the analysis of lines created by flutings by different members of the community of practice, we suggest that children under the age of seven, who had no the cognitive abilities to comprehend the meaning of images, were active and prolific fluters and performed acts of decorating cave walls by themselves or with the support of other community members. This approach allows us to consider parietal art as community art where visual contributions were created by community members of all age and sexes.


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