White women writing white: H.D., Elizabeth Bishop, Sylvia Plath, and whiteness

2000 ◽  
Vol 38 (03) ◽  
pp. 38-1408-38-1408
Janus Head ◽  
2007 ◽  
Vol 10 (1) ◽  
pp. 137-155
Author(s):  
Ellen M. Miller ◽  

Sylvia Plath wrote in the midst of growing racial tensions in 1950s and 1960s America. Her work demonstrates ambivalence towards her role as a middle-class white woman. In this paper, I examine the racial implications in Plath's color terms. I disagree with Renee Curry's reading in White Women Writing White that Plath only considers her whiteness insofar as it affects herself. Through a phenomenological study of how whiteness shifts meaning in this poem, I hope to show that Curry's negative estimation is only partly right. I suggest that embodiment is a problem for Plath in general, and this contributes to her inability to fully examine other bodies.


2012 ◽  
Vol 27 (73) ◽  
pp. 249-257 ◽  
Author(s):  
Susan Sheridan

2001 ◽  
Vol 35 (2) ◽  
pp. 159-174
Author(s):  
Hager Ben Driss

Women's contribution to the building of the british empire has become by now undeniable. Standing at different vantagepoints, English women articulated, supported, and even innovated the colonial discourse. Though highly masculine in its ideological core, the Empire is far from being exclusively male in its rhetorical voice. Feminist postcolonial critics have shown British women's important participation in colonialism. McClintock, for example, claims that “white women were not the hapless onlookers of empire but were ambiguously complicit both as colonizers, privileged and restricted, acted upon and acting” (6).


1993 ◽  
Vol 65 (1) ◽  
pp. 131
Author(s):  
Margaret Dickie

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