White Women Writing White: H.D., Elizabeth Bishop, Sylvia Plath, and Whiteness; The Color of Sex: Whiteness, Heterosexuality, and the Fictions of White Supremacy; White Diaspora: The Suburb and the Twentieth-Century American Novel

2003 ◽  
Vol 75 (1) ◽  
pp. 207-209
Author(s):  
D. McKay
Janus Head ◽  
2007 ◽  
Vol 10 (1) ◽  
pp. 137-155
Author(s):  
Ellen M. Miller ◽  

Sylvia Plath wrote in the midst of growing racial tensions in 1950s and 1960s America. Her work demonstrates ambivalence towards her role as a middle-class white woman. In this paper, I examine the racial implications in Plath's color terms. I disagree with Renee Curry's reading in White Women Writing White that Plath only considers her whiteness insofar as it affects herself. Through a phenomenological study of how whiteness shifts meaning in this poem, I hope to show that Curry's negative estimation is only partly right. I suggest that embodiment is a problem for Plath in general, and this contributes to her inability to fully examine other bodies.


Old Futures ◽  
2018 ◽  
pp. 33-56
Author(s):  
Alexis Lothian

The first chapter of part 1 (A History of No Future: Feminism, Eugenics, and Reproductive Imaginaries), argues that distinctions between queer and straight time are not always uncomplicated or obvious. The chapter takes up feminist utopian fiction that revolves around the racial and national politics of reproduction, focusing on two little-read British novels—New Amazonia (1889) by Elizabeth Burgoyne Corbett and Woman Alive (1936) by Susan Ertz—while contextualizing the many utopian fictions published by white US- and UK-based women in the late nineteenth and early twentieth century. Critiquing the tendency to associate reproducing bodies and reproductive labor with maintenance of the status quo, the chapter uncovers ambiguous queer possibilities within the futures imagined by middle-class white women reckoning with what it meant to be charged with the eugenic reproduction of modernity, Englishness, and empire. These speculative narratives highlight breaks and bends in normative time articulated through the intersection of class, colonial, and racial imaginaries with questions of gender and desire. They have much to tell us about how feminist politics of reproduction and gendered embodiment function at the intersection of gender, sexuality, and race with mechanisms of white supremacy and state power.


2020 ◽  
pp. 1-24
Author(s):  
DEIRDRE O'CONNELL

This study investigates the shifting meanings invested in the ragtime song “A Hot Time in the Old Time, Tonight” at the turn of the twentieth century. Complicating the tune's place in the canon of military, political, and national anthems was its associations with “vice,” black culture, and white supremacy. By mapping the ritual and representational uses of the song, this investigation demonstrates how “A Hot Time” served paradoxical functions that simultaneously affirmed and unsettled American exceptionalism. In doing so, this article traces the processes of obfuscation whereby black musical traditions and white supremacy defined America's distinctive national identity.


2018 ◽  
Vol 47 (1) ◽  
pp. 6-31 ◽  
Author(s):  
Ella Myers

W.E.B. Du Bois’s reading of whiteness as a “public and psychological wage” is enormously influential. This essay examines another, lesser known facet of Du Bois’s account of racialized identity: his conceptualization of whiteness as dominion. In his 1920–1940 writings, “modern” whiteness appears as a proprietary orientation toward the planet in general and toward “darker peoples” in particular. This “title to the universe” is part of chattel slavery’s uneven afterlife, in which the historical fact of “propertized human life” endures as a racialized ethos of ownership. The essay examines how this “title” is expressed and reinforced in the twentieth century by the Jim Crow system of racial signs in the United States and by violent “colonial aggrandizement” worldwide. The analytic of white dominion, I argue, allows Du Bois to productively link phenomena often regarded as discrete, namely, domestic and global forms of white supremacy and practices of exploitation and dispossession. Ultimately, the entitlement Du Bois associates with whiteness is best understood as a pervasive, taken-for-granted horizon of perception, which facilitates the transaction of the “wage” but is not reducible to it.


Author(s):  
Amy Sueyoshi

This chapter interrogates San Francisco’s mythical reputation as a town where “anything goes.” Pairings of men of color with white women occurred in the city press without the violent rage that it provoked in nearly every other part of the United States at the time. Homoerotic imagery and writings also proliferated with little to no controversy. While the acceptance of these activities might signal an embrace of the diverse people and lifestyles, it in fact pointed to the opposite. Precisely because of overwhelming and unquestionable dominance of white supremacy and heterosexuality, narratives of interracial mingling and same-sex love that might otherwise challenge the status quo served merely as entertaining anecdotes without any threat to the existing social order.


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