Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art

2012 ◽  
Vol 49 (09) ◽  
pp. 49-4857-49-4857
Author(s):  
Carol Bier

<p>The celebrated Islamic galleries at The Metropolitan Museum of Art in New York reopened in 2011 as “Galleries for the Art of Arab Lands, Turkey, Iran, Central Asia, and Later South Asia.” Other major collections of Islamic art have been reorganized and reinstalled in Berlin, Cairo, Cleveland, Copenhagen, Detroit, Kuwait, London, Los Angeles, Paris, and Singapore, and new museums of Islamic art have been established in Doha, Qatar; Honolulu, Hawaii; Kuala Lumpur, Malaysia, and Sharjah, U.A.E. In addition, the first museum in North America dedicated to Islamic art recently opened in Toronto, Ontario, Canada. This article explores this global phenomenon, identifying it as both a literal and conceptual “reframing of Islamic art for the 21st century,” setting the world stage for new developments in cultural understanding.</p><p><em><strong>Keywords:</strong></em> Islamic art, Metropolitan Museum of Art, “Art of Arab Lands, Turkey, Iran, Central Asia, and Later South Asia”</p>


Artibus Asiae ◽  
1975 ◽  
Vol 37 (1/2) ◽  
pp. 150
Author(s):  
Yolande Crowe ◽  
Richard Ettinghausen

2021 ◽  
Vol 12 (3-4) ◽  
pp. 342-371
Author(s):  
Yana van Dyke

Abstract In the spring of 2017, the Islamic Art Department, within The Metropolitan Museum of Art (TMMA), acquired an Islamic prayer book, the Dalāʾil al-Khayrāt by Muḥammad bin Sulaymān al-Jazūlī. This paper discusses the findings of a technical study undertaken in the museum’s Sherman Fairchild Center for the Conservation of Works of Art on Paper, focusing on the materials and techniques of one manuscript acquisition specifically, MMA 2017.301. The nature, properties, and characteristics of the text block paper, fiber and pigment identification, chemical compositions, condition assessment, and inherent deterioration mechanisms within the palette are described. The colophon at the end of the manuscript mentions a patron, Sīdī Aḥmad b. Dirham al-Mālikī and identifies its calligrapher as Muḥammad bin Aḥmad bin ʿAbd Al-Raḥmān al-Riyāḥī and confirms its creation date as AH 1035/1625–1626 AD.1


2019 ◽  
pp. 641-657
Author(s):  
Aleksandra Pawlikowska-Gwiazda

The group of 17 oil lamps now in the Islamic Art Department collection of the Metropolitan Museum of Art (New York) was excavated in West Thebes in Upper Egypt by the Metropolitan Museum of Art expedition at the beginning of the 20th century. The assemblage was never fully published (apart from being included in the online MeT Collection database). The present paper documents the material in full, examining the collection and proposing in a few cases a new dating based on parallels from other sites.


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