scholarly journals A Collaborative Framework for Data Management Services: The Experience of the University of California

2012 ◽  
Vol 1 (2) ◽  
pp. 109-114 ◽  
Author(s):  
Joan Starr ◽  
Perry Willett ◽  
Lisa Federer ◽  
Claudia Horning ◽  
Mary Bergstrom
Author(s):  
Glyneva Bradley-Ridout

Introduction: Research data management (RDM) is being recognized as an increasingly important role for librarians. In this paper, the role of health science librarians in supporting research data management endeavors is examined. Methods: All job postings currently (as of April 5th, 2018) available on the University of Toronto’s Faculty of Information (iSchool) job site were analyzed to identify positions related to health science librarianship. The job responsibilities and descriptions were then examined to identify instances where research data management was mentioned. Results: Thirty-two postings from the search results were identified as meeting the inclusion criteria. Of these thirty-two health science librarian postings which were included in the analysis, eight included supporting research data management services, in some capacity, as part of the position description. Discussion/ Conclusion: Through the job posting analysis, a picture emerges where RDM is not consistently seen as a role for health science librarians. However, the literature indicates that in many instances, research data management is already being done by health science librarians, and is a trend which is likely to continue in the future. As such, it is important that research data management services start being acknowledged and reflected in education and job description opportunities.


2020 ◽  
Vol 2 (3) ◽  
pp. 53-59

The California missions, whose original church spaces and visual programs were produced by Iberian, Mexican, and Native artisans between 1769 and 1823, occupy an ambiguous chronological, geographical, and political space. They occupy lands that have pertained to conflicting territorialities: from Native nations, to New Spain, to Mexico, to the modern multicultural California. The physical and visual landscapes of the missions have been sites of complex and often incongruous religious experiences; historical trauma and romantic vision; Indigenous genocide, exploitation, resistance, and survivance; state building and global enterprise. This Dialogues section brings together critical voices, including especially the voices of California Indian scholars, to interrogate received models for thinking about the art historical legacies of the California missions. Together, the contributing authors move beyond and across borders and promote new decolonial strategies that strive to be responsive to the experience of California Indian communities and nations. This conversation emerges from cross-disciplinary relationships established at a two-day conference, “‘American’ Art and the Legacy of Conquest: Art at California’s Missions in the Global 18th–20th Centuries,” sponsored by the Terra Foundation for American Art and held at the University of California, Los Angeles, in November 2019.


Author(s):  
Eunsong Kim

The Archive for New Poetry (ANP) at the University of California San Diego was founded with the specific intention of collecting alternative, small press publications and acquiring the manuscripts of contemporary new poets. The ANP’s stated collection development priority was to acquire alternative, non-mainstream, emerging, “experimental” poets as they were writing and alive, and to provide a space in which their papers could live, along with recordings of their poetry readings. In this article, I argue that through racialized understandings of innovation and new, whiteness positions the ANP’s collection development priority. I interrogate two main points in this article: 1) How does whiteness—though visible and open—remain unquestioned as an archival practice? and 2) How are white archives financed and managed? Utilizing the ANP’s financial proposals, internal administrative correspondences, and its manuscript appraisals and collections, I argue that the ANP’s collection development priority is racialized, and this prioritization is institutionally processed by literary scholarship that linked innovation to whiteness. Until very recently, US Experimental and “avant-garde” poetry has been indexed to whiteness. The indexing of whiteness to experimentation, or the “new” can be witnessed in the ANP’s collection development priorities, appraisals, and acquisitions. I argue that the structure of the manuscripts acquired by the ANP reflect literary scholarship that theorized new poetry as being written solely by white poets and conclude by examining the absences in the Archive for New Poetry.


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