The Cultural Space of the Arts and the Infelicities of Reductionism

Author(s):  
Joseph Margolis
Keyword(s):  
Author(s):  
Mike Pearson

In this chapter Mike Pearson takes us to Antarctica. This continent is a vital record of past climate patterns, and our future depends on the fate of its covering of ice. Pearson considers how international treaties have imposed strict environmental controls on what is permissible on the continent, and discusses its unique status as an area where military activity is banned. These controls cover the scientists who are stationed there and the relatively small number of visitors that will arrive in cruise ships. He notes that science holds an unchallenged hegemonic position and that the Treaty makes no acknowledgement of the arts and that the advent of tourism was unforeseen. In this context, he considers how more recent programmes have aimed to promote understanding and appreciation of the values of Antarctica through the contribution of writers, artists and musicians. He considers how such initiatives as the Antarctica Pavilion at the 56th Venice Art Biennale have challenged the scientific domination of the continent by claiming Antarctica as a cultural space.


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

2002 ◽  
Author(s):  
David Hargrove ◽  
Nancy S. Elman
Keyword(s):  

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