The (non)use of alcohol in topless establishments: Protection for women or gender policing?

This article considers current and proposed restrictions placed on the adult industry in Chicago in order to explore the attempts made through legislation to control legal forms of sex work, specifically exotic dancing and burlesque. I focus specifically on the recent debate within the city of Chicago as to whether or not alcohol should be allowed in places where women are topless. While exotic dance is often discussed as a type of exploitation and a cause of urban blight, burlesque is uniformly discussed as positive and empowering, which affects discussion around the introduction of alcohol into each respective club. I conclude by discussing the possibility that the differentiation between exotic dance and burlesque may be a false dichotomy, and that regulations need to be talked about in conjunction with individuals who work in these industries, instead of the assumption that politicians have the laborers’ best interests in mind.

“Behind the Curtain”: Strip Clubs and the Management of Competition for Tips

Ethnographers have amassed a large body of literature on exotic dance and strip clubs. However, this literature contains little information about strip club managers and the work they perform “behind the curtain.” This article draws on participant observation in strip clubs and semistructured interviews with managers of strip clubs to explore how managers must work to mitigate the consequences of a payment and staffing structure that exacerbates competition between dancers for tips. Managers are keenly aware of the negative effects of competition between dancers, and they employ motivational tactics to manage the dancers through economic precarity, such as normalizing uncertainty, encouraging self-blame, and using “teamwork” discourses to inculcate a sense of solidarity among dancers and to diffuse the competitive environment in strip clubs. This article reveals how managers strive to normalize and legitimate the precarious work of exotic dancing, contributing to the literatures on exotic dance and tipped employment.

Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia's Cultural Villages

“Cultural villages” constitute laboratories for the reimaginings of local cultures and the remapping of their connections to the state, the region, and the globe. Three “heritainment” tourist shows in East Malaysia contain coded statements about cultural ownership, tribal relations to the state, and the state's relation to international tourist markets.