edward macdowell
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2019 ◽  
Vol 75 (4) ◽  
pp. 660-662
Author(s):  
Myron Gray
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2018 ◽  
Vol 99 (3) ◽  
pp. 497-500
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Deniz Ertan
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2014 ◽  
Vol 32 (1) ◽  
pp. 24
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Bomberger
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2010 ◽  
Vol 36 (01) ◽  
pp. 162-183
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Asbjørn Ø. Eriksen
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2004 ◽  
Vol 87 (3) ◽  
pp. 370-422 ◽  
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1999 ◽  
Vol 37 (01) ◽  
pp. 37-0216-37-0216
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1996 ◽  
Vol 49 (3) ◽  
pp. 528-560 ◽  
Author(s):  
Richard Crawford

After American-born, European-trained Edward MacDowell returned to the United States in 1888 and settled in Boston, he was welcomed as the composer American music had been awaiting. Enhanced by a professorship at Columbia University (1896-1904), his fame drew him into the current debate over musical nationalism. MacDowell relished the role of American composer, using national elements to approach artistic universality. "To a Wild Rose" for piano links post-Wagnerian tonality with programmatic suggestion in a style echoed by later popular songs. And "Dirge" from the Indian Suite evokes Native American experience to ground America's independent spirit in an idealized primeval past.



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