Embracing the Paradox: A Bodhisattva Path

This article addresses the significance of paradox as a steady presence in our lives. Contradictions and ambiguities often lead to aversive states of anxious uncertainty where straightforward answers are often unavailable yet sought after to alleviate existential insecurities. In conditions where narratives of ambivalence intensify, such as during the worldwide COVID-19 crises, our traditional socio-evolutionary inclinations to avoid them either through denial or active resistance become more noticeable. It also leads to distress in intersubjective spaces especially when uncertainty and perceptions of threat stand as correlates, and we start to fear what we do not understand. In this paper, I consider wisdom responses from a Buddhist perspective to help us acknowledge the value of paradox, highlighting how changes in the formulation of our self-concept can help with that. I draw upon select principles and insights from the Diamond Sutra and the Heart Sutra, two texts within the Mahaprajnaparamita sutras of Mahayana Buddhism. Through these, I examine some inherent paradoxes as vital components of a larger ontological unity, the recognition of which can act as an enabler to the Bodhisattva path. This path is worthy of exploration, allowing us to move past the need for closure and instead focus on reconciliation, disclosure, and epistemic humility.

The Android and the Fax: Robots, AI and Buddhism in Japan

In March 2019, a temple in Kyoto, Kōdaiji, unveiled to the public ‘Mindar’, a robot developed in collaboration with Ishiguro Hiroshi, a well-known robotics professor at Osaka University. The android is presented as the manifestation of Kannon, the bodhisattva of compassion. It can move, speak, and record what it sees. Mindar delivers sermons based on the Heart Sutra and, according to the temple’s priest, it will keep evolving and its knowledge will become endless. Mindar has received mixed responses from visitors, from those who cry during the sermons to those who feel it inappropriate for a robot to preach in a temple. Media coverage has mainly focused on the potential for Mindar to change the image of Buddhism in Japan, a tradition often portrayed as antiquated and mainly focused on funerary rituals. By examining the declarations of Mindar’s creators and varied responses of its visitors, and drawing on observation of Mindar’s practice, this chapter explores the interaction between AI, robotics, and Buddhism in contemporary Japan. It highlights the affective potentialities and possibilities of AI, in particular as they relate to emotional connections between humans and robots, and the implications for Buddhism in contemporary Japan.

Instantiation and individuation in Buddhist scripture translation

This paper analyses and compares the systemic functional features of the Sanskrit original text and the Chinese and English translations of the Buddhist scripture Heart Sutra, focusing on the ideational components that are manifest on the strata of discourse semantics and lexicogrammar. Results show that there are both expected equivalence and significant differences among the Sanskrit original text and the two translated texts. The accounts for the equivalence and differences are twofold (on two hierarchies): in terms of instantiation, the translators go along different re-instantiation routes in finding corresponding potentials between the source text and their respective target texts; in terms of individuation, the English and Chinese translators’ personal and social identity has an immediate influence on their respective reproductions of the text.

Musicalizing the Heart Sutra: Buddhism, Sound, and Media in Contemporary Japan

In Japan, explicitly religious content is not commonly found in popular music. Against this mainstream tendency, since approximately 2008, ecclesiastic and non-ecclesiastic actors alike have made musical arrangements of the Heart Sutra. What do these musical arrangements help us to understand about the formation of Buddhist religiosity in contemporary Japan? In order to answer these questions, I analyze the circulation of these musical arrangements on online media platforms. I pursue the claim that they exhibit significant resonances with traditional Japanese Buddhist practices and concepts, while also developing novel sensibilities, behaviors, and understandings of Buddhist religiosity that are articulated by global trends in secularism, popular music, and ‘spirituality’. I suggest that they show institutionally marginal but publicly significant transformations in affective relationships with Buddhist religious content in Japan through the mediation of musical sound, which I interpret as indicative of an emerging “structure of feeling”. Overall, this essay demonstrates how articulating the rite of sutra recitation with modern music technologies, including samplers, electric guitars, and Vocaloid software, can generate novel, sonorous ways to experience and propagate Buddhism.