Mieke Bal examines the first autobiographical text written by a woman
which concerns the life of the Carthaginian martyr Perpetua. The analysis
combines narratology, psychoanalysis, and deconstruction, in a voluntarily
anachronistic appropriation of this unique document. Scenes of martyrdom
are etched on our retina, because there are so many artworks that
represent them. The case Bal analyses, however, is literary, although some
of its metaphors and descriptions are vividly visual. Bal speculates that a
contest shapes the one that informs Perpetua’s choice for this particular
martyrdom: the contest between male and female, or rather, the contest
for masculinity. Perpetua’s move away from femininity would lead her,
not so much to give up sex as to enjoy it in the only way she could have
access to it, turns this story of victimhood into a story of victory: over
gender-limitations and over narration.