The origins of David Rapaport's 'Portrait of Moses' story

David Rapaport, one of the founders of psychoanalytic ego psychology, used a story about a portrait of Moses in three of his papers in the 1950s in order to illustrate his view that the self has the power to shape its own nature. The present article traces the origins and evolution of that story through Latin, Islamic and Jewish versions.

The Function of Metapsychology – Study of an American Controversy, 1970s–1980s

This article explores the controversies triggered by Freud's metapsychology, specifically the American critiques of the 1970s – Heinz Hartmann, Merton Gill and David Rapaport, Robert Waelder, and Lawrence Kubie for ego-psychology, leading into Roy Schafer, George Klein and again Merton Gill for hermeneutics, Emmanuel Peterfreund and Charles Brenner for positivism, before concluding with a summary of more inventive engagements with metapsychology including that of Joseph Sandler and André Green. The article argues that in the name of empirical or clinical evidence, the American critiques tried to reintroduce a subjectivity made of data into the heart of psychoanalytic theory and as a result, replaced the subject of the unconscious with a new figure of the subject not only transparent to itself, but also transparent to two main forms of discourse: the hermeneutic discourse, on the one hand, and the positivist discourse, on the other.