This essay calls for a conceptual reorientation of how quantitative methods in literary studies are currently framed, arguing for an expansion from a linear model bounded by the endpoints of distant and close to a space defined by multiple dimensions of scale. I explore the axis bounded by visible and invisible as an example of one of the additional dimensions that might constitute this expanded conceptual frame. In demonstrating its potential for producing new knowledge, I examine the editorial work of two women abolitionists, Mary Ann Shadd (1823–93) and Lydia Maria Child (1802–80). I show how topic modeling and statistical analysis can help identify and describe their invisible editorial labor. I thus provide an additional layer of evidence in support of the argument that positions women, and black women in particular, at abolition's vanguard. I also show how both women employed editing as a method of community formation and world building. I conclude by extending the example of editorial work to the labor required to perform quantitative work today, underscoring the importance of expanding the frame in which quantitative methods in literary study are conceptualized and deployed. (LFK)
The first of three chapters on the power of chocolate cities, this chapter centers the life, activism, and pioneering efforts of abolitionist and black woman lawyer Mary Ann Shadd Cary. Exploring her migrations above and below the Canadian border, the authors highlight her sophisticated and politically informed racial geography of the United States. Detailing the movement of black people throughout the domestic diaspora, this chapter illustrates the how gender, place, race, and power collided in the lives of black people before and after the Emancipation Proclamation.
“A Greater Compass of Voice”: Elizabeth Taylor Greenfield and Mary Ann Shadd Cary Navigate Black Performance
