Mary Ann Shadd Cary: Crafting Black Culture Through Empirical and Moral Arguments

2013 ◽  
Vol 24 (3) ◽  
pp. 239-256
Author(s):  
Carolyn Calloway-Thomas
2019 ◽  
Author(s):  
Irina Vartanova ◽  
Kimmo Eriksson ◽  
Pontus Strimling

Author(s):  
Kristján Kristjánsson

Chapter 6 proceeds via a critical review of recent writings about jealousy in philosophy and psychology. Although Aristotle himself did not explore this emotion, it is easily amenable to an Aristotle-style analysis. It turns out, however, that although Aristotelian conceptual and moral arguments about the necessary conceptual features of jealousy qua specific emotion, and the intrinsic value or disvalue of a stable trait of jealousy for eudaimonia, do carry philosophical mileage, they may fail to cut ice with psychologists who tend to focus on jealousy as a broad dimension of temperament. The chapter reveals a disconcerting lack of cross-disciplinary work on jealousy: the sort of work that has moved the discourse on various other emotions forward in recent years. It explains how the best way to ameliorate this lacuna is, precisely, through an Aristotelian analysis, where jealousy is (perhaps counter-intuitively) accorded a place as a potentially virtuous emotion.


Author(s):  
Sam Brewitt-Taylor

Like all transformative revolutions, Britain’s Sixties was an episode of highly influential myth-making. This book delves behind the mythology of inexorable ‘secularization’ to recover, for the first time, the cultural origins of Britain’s moral revolution. In a radical departure from conventional teleologies, it argues that British secularity is a specific cultural invention of the late 1950s and early 1960s, which was introduced most influentially by radical utopian Christians during this most desperate episode of the Cold War. In the 1950s, Britain’s predominantly Christian moral culture had marginalized ‘secular’ moral arguments by arguing that they created societies like the Soviet Union; but the rapid acceptance of ‘secularization’ teleologies in the early 1960s abruptly normalized ‘secular’ attitudes and behaviours, thus prompting the slow social revolution that unfolded during the 1970s, 1980s, and 1990s. By tracing the evolving thought of radical Anglicans—uniquely positioned in the late 1950s and early 1960s as simultaneously moral radicals and authoritative moral insiders—this book reveals crucial and unexpected intellectual links between radical Christianity and the wider invention of Britain’s new secular morality, in areas as diverse as globalism, anti-authoritarianism, sexual liberation, and revolutionary egalitarianism. From the mid-1960s, British secularity began to be developed by a much wider range of groups, and radical Anglicans faded into the cultural background. Yet by disseminating the deeply ideological metanarrative of ‘secularization’ in the early 1960s, and by influentially discussing its implications, they had made crucial contributions to the nature and existence of Britain’s secular revolution.


2020 ◽  
pp. 1-24
Author(s):  
DEIRDRE O'CONNELL

This study investigates the shifting meanings invested in the ragtime song “A Hot Time in the Old Time, Tonight” at the turn of the twentieth century. Complicating the tune's place in the canon of military, political, and national anthems was its associations with “vice,” black culture, and white supremacy. By mapping the ritual and representational uses of the song, this investigation demonstrates how “A Hot Time” served paradoxical functions that simultaneously affirmed and unsettled American exceptionalism. In doing so, this article traces the processes of obfuscation whereby black musical traditions and white supremacy defined America's distinctive national identity.


2021 ◽  
pp. 153270862110293
Author(s):  
Maha Ikram Cherid

The term blackfishing, which takes a twist on the concept of catfishing, that is, tricking people online into thinking you are someone else, refers to the practice of (mostly) White women pretending to be Black by using makeup, hairstyles, and fashion that originate in Black Culture to gain financial benefits. This article aims to contextualize the concept of blackfishing through a critical literary review that will cover the following elements: cultural appropriation, the commodification of Black culture, the representation of Black women in North America, and the operationalization of blackfishing.


Souls ◽  
2003 ◽  
Vol 5 (1) ◽  
pp. 46-70
Keyword(s):  

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