Gastronomica The Journal of Food and Culture
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Published By University Of California Press

1533-8622, 1529-3262

2021 ◽  
Vol 21 (2) ◽  
pp. 90-101
Author(s):  
V. Constanza Ocampo-Raeder

In this article I present the social life of camarones, a Peruvian river crustacean used in some of the region’s favorite dishes, and the liminal space they occupy in the geography, minds, and ecosystem of Peru and its people. I situate the relationship between these crawfish and the folks who capture them, known as camaroneros, within insights of environmental anthropologists and food scholars who also explore the connections between cultural and biological diversity and the entangled socio-ecological histories that inform the manner in which nature is mediated and understood by local societies. In this article, however, I expand this understanding to reveal unexpected spaces of engagement, especially those that emerge while eating, which tend to be overlooked by bounded notions of culture and nature and limit the ways we can imagine human-nature relationships. Via the story of camarones and camaroneros of one river valley of Peru, I argue that eating is a socio-ecological act that is imbued with profound cultural meanings involving a wide range of participants—not just farmers or producers—each with their own ecological identities yet still implicitly linked to one another through the process of producing, preparing, and consuming food.


2021 ◽  
Vol 21 (3) ◽  
pp. 56-72
Author(s):  
L. Stephen Velasquez

2021 ◽  
Vol 21 (2) ◽  
pp. 47-51
Author(s):  
Halie Kampman ◽  
Shun-Nan Chiang ◽  
Salam Sawadogo

2021 ◽  
Vol 21 (4) ◽  
pp. 76-87
Author(s):  
Carole Counihan

This essay explores how food activists in Italy purposely shape food and language to construct meaning and value. It is grounded in years of ethnographic fieldwork on food and culture in Italy and looks specifically at the Slow Food Movement. The essay explores language and food activism through a detailed unpacking of the text of a menu prepared for a restaurant dinner for delegates to the Slow Food National Chapter Assembly in 2009. The menu uses descriptive poetic language to construct an idealized folk cuisine steeped in local products, poverty, history, and peasant culinary traditions. As I explore the language of the menu and the messages communicated by the food, I ask if they intensify people’s activism, advance Slow Food’s goals of “good, clean and fair food,” and promote food democracy.


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