Problemas lingüísticos y extra lingüísticos en las traducciones española e italiana de la novela L’Élégance du hérisson de Muriel Barbery. Estudio de caso

Ever since Translatology became a discipline of its own, separated from Linguistics, the philologist-translator relationship, which we consider essential in the task of translation, has been split. This worrying lack of collaboration is what has led us to carry out this research, with which we intend to highlight the importance of working together in order to produce a translation. In this respect, our study focuses on the philological analysis and the translation results in Spanish and Italian of the novel L’élégance du hérisson (2006) by Muriel Barbery. After carrying out a comparative and a translatological analysis of some chapters of the novel, in order to observe how they have been adapted to the language and culture of the countries of arrival, we believe that it is essential to underline the importance and obligation on the part of the translators, especially when dealing with related languages, of a previous, detailed and philological study of the source text. The purpose of this work is to identify the obstacles, analyze the solutions provided by the translators, and finally offer alternative proposals in order to improve the target texts.

La carte et le territoire de Michel Houellebecq en tant que roman de l’artiste postmoderne

The purpose of the article is to study the phenomenon of postmodernist Künstlerroman on the example of The Map and the Territory by Michel Houellebecq. The paper is focused on the social voyage of the artist-protagonist, Jed Martin, who enters into the art world and has to face its capitalist logic. The analysis of Michel Houellebecq’s novel allows not only to trace the evolution of the young artist and his search to develop a sense of identity, but also to reveal the process inherent to the postmodernist Künstlerroman – the process of devaluation, marginalization and relativization of art.

La critique augustinienne de l’éducation classique dans les Confessions. Lecture néo-rhétorique

Françoise Collinet

Il tormentone, ovvero “il ritorno dell’identico”

“Tormentone” or “the recurrence of the identical” “Tormentone”, an extreme torture, is a typically Italian word describing a catchphrase, a running gag, an earworm, a summer hit or anything related with reiteration accentuated by the various media: advertisement jingles, journalists’ abusive metaphors, viral content on the internet. In this paper we attempt to understand if the audience is aware of this occurrence and willingly accepts being “tortured”, applying some theories about television and seriality proposed by Umberto Eco.

Construção perifrástica andar a + infinitivo – um problema didático no caso dos alunos polacos

The article attempts to highlight the problems in teaching and learning of one Portuguese periphrastic aspect construction. The author will try to present the problem related to multiple possible meanings of the periphrasis as well as factors influencing the meaning. In addition, various Portuguese grammar manuals will be analysed for the presence of information regarding the periphrasis andar a + infinitive to determine whether the information is complete enough for the pupils to use the periphrasis in the proper context.

La lecture lacanienne du roman durassien Le Ravissement de Lol V. Stein : l’expérience « autre » de l’inconscient et du langage

Inscribed in human condition, Loss is an integral part of Duras’s work. It is a leitmotif of the novel Le Ravissement de Lol V. Stein (The Ravishing of Lol Stein), in which the feeling of love is shown as ambivalent, connected − on the one hand − with ecstasy, admiration and exaltation, and on the other – with suffering, loneliness, pain and absence. Considered from the Lacanist perspective, the text allows us to see the originality of Duras’s prose, which involves capturing the unspeakable, the thing that escapes rational analysis and conventional writing technique: the subconscious. The author refers to it both in the thematic and stylistic layers, thus emphasizing the fragmentary nature of the language that implicitly transmits the eroticism of a woman condemned to silence.

La gestione del discorso: una funzione metadiscorsiva

Speech management: a metadiscursive function Metadiscourse (MD) is the unique property of human language to codify messages on language itself. It reveals the author’s presence in reference to speech management and other interventions or comments with which the author either illustrates their opinion on the subject or leads the interlocutor/reader to an understanding of their message. MD was traditionally distinguished from propositional material and considered “material not belonging to the object of discourse”. This paper argues that MD not only supports propositional content, but represents the crucial means by which the latter is perceived by the interlocutor/reader. It also includes a presentation of Ädel’s so-called reflexive model, which avoids the dichotomy between proposition and MD, takes both the author and their interlocutor/reader into consideration, and appropriately highlights the reflexivity through which the importance of the author’s awareness of the text is brought into focus. The empirical part includes the illustration of the metadiscursive functions of the discourse marker cioè.