James Macpherson

Author(s):  
Ian McGowan
Keyword(s):  
Author(s):  
Donald Ostrowski

This book examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. The book does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, the book provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, the book builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.


Author(s):  
JoEllen DeLucia

This chapter examines the Bluestockings’ role in the development of the Scottish Enlightenment’s cross-cultural theories of human development and in the popularization of their literary equivalent, Macpherson’s Ossian poems. In addition to recovering the epistolary record of Elizabeth Montagu’s influence on major figures of the Scottish Enlightenment as well as the popular Ossianic feasts she incorporated into her London salons, it discusses the Ossianic imitations of Catherine Talbot, Montagu’s friend and contemporary. Montagu’s Ossian-themed feasts—attended by James Macpherson, other Scottish literati, and her Bluestocking circle—enacted the equivalent social relationships and produced the refined social sentiments conjectured in Macpherson’s poems and theorized in the Scottish Enlightenment. Montagu’s correspondence documents the Bluestockings’ responses to the work of their Scottish contemporaries and their contribution to the new maps of historical development generated by the Scots at mid-century. The final portion of this chapter argues that Catherine Talbot tested this emergent historical consciousness in her Ossianic imitations, which reflect on the Seven Years War and women’s role in the civilizing process.


2001 ◽  
Vol 114 (454) ◽  
pp. 447-463
Author(s):  
Thomas A. McKean
Keyword(s):  

1914 ◽  
Vol s11-IX (234) ◽  
pp. 494-494
Author(s):  
J. A. C.
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document