Doctor in Slaughter: Emilio De Rossignoli’s Dialectic of Enlightenment

2019 ◽  
pp. 61-75
Author(s):  
Fabio Camilletti
Keyword(s):  
Dialectic Of Enlightenment

The Thanatosis of Enlightenment

2019 ◽  
Vol 29 (4) ◽  
pp. 83-106
Keyword(s):  
Scientific Reasoning ◽  
Phenomenological Theory ◽  
Human Mind ◽  
Unsuccessful Attempt ◽  
Trace Back ◽  
Methodological Errors ◽  
Psychological Models ◽  
History Of ◽  
Living Nature ◽  
Dialectic Of Enlightenment

The article analyzes methodological errors Theodore Adorno and Max Horkheimer’s Dialectic of Enlightenment, particularly their incorrect use of the concepts of mimicry and mimesis. The author of the article maintains that the leaders of the Frankfurt School made a mistake that threatens to undermine their argument when they juxtaposed mimesis and the attraction to death, which has led philosophers to trace back to mimesis the desire for destruction that is found in a civilization constructed by instrumental reasoning. The author reviews the arguments of the Dialectic of Enlightenment and emphasizes the unsuccessful attempt to fuse Freudian and Hegelian methods, which exposes the instability of opposing scientific reasoning to “living” nature. Some amusing quotations from Roger Caillois, who refused to think of mimesis as something entirely rational, are also brought to bear. As Brassier gradually unfolds Adorno and Horkheimer’s thesis, he indicates the consequences of their mistake, which confined thinkers to the bucolic dungeon of “remembering” the authentic nature that they cannot abandon because they have denied themselves access to both reductionist psychological models and to phenomenological theory as such. Brassier delineates the boundaries of this trap and notes the excessive attachment of the Dialectic of Enlightenment to the human. Brassier goes on to describe the prospects for a civilization of enlightenment: a mimesis of death in both senses (death imitates and is imitated) finds its highest expression in the technological automation of the intellect, which for Adorno and Horkheimer means the final implementation of the self-destructive mind. However, for Brassier it means the rewriting of the history of reason in space. This topological rewriting of history, carried out through an enlightenment, reestablishes the dynamics of horror more than mythical temporality: it will become clear that the human mind appears as the dream of a mimetic insect.

scholarly journals VICTOR FRANKENSTEIN Y LA RACIONALIDAD INSTRUMENTAL = VICTOR FRANKENSTEIN AND THE INSTRUMENTAL RATIONALITY

2020 ◽  
pp. 223
Author(s):  
Ana Pinel Benayas
Keyword(s):  
Instrumental Rationality ◽  
Dialectic Of Enlightenment

<p>En este artículo se pretende hacer una relectura de <em>Frankenstein o el moderno Prometeo</em> (1818) desde la tesis planteada en la <em>Dialéctica de la Ilustración</em> (1944) de los filósofos Adorno y Horkheimer, intentando mostrar que Victor Frankenstein es un esclavo de la racionalidad instrumental.  </p><p>This article is intended to make a rereading of Frankenstein; o, The Modern Prometheus (1818) from the thesis presented in Dialectic of Enlightenment (1944) and Eclipse of Reason (1947) of the philosophers Adorno and Horkheimer, trying to prove that Victor Frankenstein is an instrumental´s rationality slave.</p>

scholarly journals Enlightenment and Repression: A Comparison of Max Horkheimer and Theodor Adorno’s Dialectic of Enlightenment and Herbert Marcuse’s Eros and Civilization

2008 ◽  
Author(s):  
Elliott Buckland
Keyword(s):  
Max Horkheimer ◽  
New Form ◽  
Reality Principle ◽  
Dialectic Of Enlightenment

This paper offers a comparison of Horkheimer and Adorno’s Dialectic of Enlightenment and Marcuse’s Eros and Civilization. It is my contention that although the content of these two works differs, there is an underlying argument which is remarkably similar. Drawing mainly on the early chapters of Dialectic and the first half of Eros, I plan to demonstrate that each text explores, the intertwining and cyclical nature of progress and regression; the manner in which liberating tendencies emerge which challenge present conditions, but upon their ascension become a new form of repression; for Horkheimer and Adorno this is the development of subjectivity in the movement from myth to enlightenment, which becomes the new myth; for Marcuse, it is the instinctual repression, under the guise of ‘civilization’, required of individuals in the interest of self-preservation and propagation. Furthermore, in both cases neither enlightenment, nor the reality principle are ever fully victorious, hence this cycle is self-perpetuating.

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