Black Power Utopia: African-American Utopianism and Revolutionary Prophesy in Black Power-Era Science Fiction

2019 ◽  
pp. 59-78
Author(s):  
Mark A. Tabone
Keyword(s):  
African American ◽  
Science Fiction ◽  
Black Power

scholarly journals Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction

2020 ◽  
Vol V (IV) ◽  
pp. 45-53
Author(s):  
Fayaz Ahmad Kumar ◽  
Colette Morrow
Keyword(s):  
African American ◽  
American Literature ◽  
Toni Morrison ◽  
Black Power ◽  
African American Literature ◽  
Black Power Movement ◽  
Power Politics ◽  
Black Aesthetics ◽  
History Of ◽  
American Author

This paper analyzes the influence of the Black Power movement on the AfricanAmerican literary productions; especially in the fictional works of Toni Morrison. As an African-American author, Toni Morrison presents the idea of 'Africanness' in her novels. Morrison's fiction comments on the fluid bond amongst the African-American community, the Black Power and Black Aesthetics. The works of Morrison focus on various critical points in the history of African-Americans, her fiction recalls not only the memory of Africa but also contemplates the contemporary issues. Morrison situates the power politics within the framework of literature by presenting the history of the African-American cultures.

1968: End of The Civil Rights Movement?

2018 ◽  
Author(s):  
Stephen Tuck
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Black Power ◽  
Local Level ◽  
Martin Luther ◽  
Black Communities ◽  
Conservative Politics ◽  
Martin Luther King ◽  
New Phase

1968 is commonly seen as the end of the classic era of modern civil rights protest: a year when Martin Luther King Jr. was killed, when violence seemed endemic in urban black communities, when Black Power groups fractured and when candidates opposed to further civil rights legislation made giant strides at the ballot box. 1968 seemed to usher in a decade bereft of major civil rights activity, ahead of a resurgence of conservative politics. And yet a look behind the headlines tells a different story in the post-1968 years at the local level: of increasing civil rights protest, of major gains in the courts and politics and the workplace, of substantial victories by Black Power activists, and calls for new rights by African American groups hitherto unrecognised by civil rights leaders. This chapter argues that in many ways 1968 marked the beginning of a vibrant new phase of race-centred activism, rather than the end, of the modern civil rights movement.

The “Hollow Prospect” of Integration

2018 ◽  
Author(s):  
Edward G. Goetz
Keyword(s):  
African American ◽  
Civil Rights ◽  
Community Development ◽  
Black Power ◽  
The Other ◽  
African American Community ◽  
Fair Housing ◽  
The 1960S ◽  
The One ◽  
The U.S

This chapter describes the tension between integration and community development from the 1940s through the end of the 1960s. It describes the conflict within the African-American community between efforts to achieve integration on the one hand and building power and capacity within the community on the other. It describes the emergence and evolution of the fair housing movement in the U.S. Finally, the ways in which this conflict played out during the civil rights and Black Power eras is highlighted.

From Absence to Flight

2018 ◽  
Author(s):  
Terrence T. Tucker
Keyword(s):  
African American ◽  
African Americans ◽  
Civil Rights ◽  
American Literature ◽  
Civil Rights Movement ◽  
Black Power ◽  
African American Literature ◽  
Slave Narratives ◽  
Black Power Movement

This chapter explores radicalization of comic rage in Douglas Turner Ward’s Day of Absence and Ishmael Reed’s Flight to Canada. Emerging in the middle of the transition from the integrationist period of the civil rights movement to the nationalism of the Black Power movement, both works openly challenge fundamental concepts about race. In addition to targeting fundamental assumptions of Western superiority, these works also question simplistic counter-representations that African Americans present to combat racist stereotypes. Using forms increasingly important in African American literature, like drama and neo-slave narratives, these works enact comic rage as way to depict unique and powerful forms of resistance.

The Washington Park Relocation

2018 ◽  
Author(s):  
Ian Rocksborough-Smith
Keyword(s):  
African American ◽  
American History ◽  
Black Power ◽  
Social Space ◽  
Physical Development ◽  
Significant Part ◽  
Racial Equality ◽  
Black Arts ◽  
The 1960S ◽  
The University

Chapter 5 of this book looks at how the DuSable Museum conducted its expansion and physical development in the Black Power era. The museum’s relocation to Washington Park, next to the University of Chicago, reimagined a historically African American social space and neighborhood in the city’s geography and can be considered alongside the highly diverse engagements of Black Power and black arts movement activists around the country with civic-level politics. The politics this expansion effort brought into play also demonstrate how museum work became a significant part of local movements for urban racial equality through the 1960s and early 1970s, a process that further reflected growing interest in African American history.

Navigating Civil Rights and Black Power Struggles

2020 ◽  
pp. 137-158
Author(s):  
Joe William Trotter
Keyword(s):  
African American ◽  
Civil Rights ◽  
American Politics ◽  
Black Power ◽  
The Political ◽  
Color Line ◽  
Power Struggles ◽  
Urban League ◽  
National Headquarters ◽  
The 1960S

By the mid-1960s, the political and social terrain on which the Urban League worked had changed dramatically. The Pittsburgh-born children of southern black migrants had come of age and pushed hard against the color line in the city's economy, politics, and institutions. National headquarters and local branches across the country worried about the increasing black nationalist turn in African American politics. But the ULP had helped to establish the postwar groundwork and even models for the fluorescence and even militance of Pittsburgh's Civil Rights and Black Power struggles of the 1960s and early 1970s.

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