Into the Critical Juncture: Principal Dilemmas and Possible Scenarios

Author(s):  
Vegard Bye
Keyword(s):  
2019 ◽  
Author(s):  
Claudio Aspesi ◽  
Nicole Starr Allen ◽  
Raym Crow ◽  
Shawn Daugherty ◽  
Heather Joseph ◽  
...  

This landscape analysis was produced by SPARC in response to the growing trend of commercial acquisition of critical infrastructure in our institutions. It is intended to provide a comprehensive look at the current players in this arena, their strategies and potential actions, and the implications of these on the operations of our libraries and home institutions. It also outlines suggestions for an initial set of strategic responses for the community to evaluate in order to ensure it controls both this infrastructure and the data generated by/resident on it. We are at a critical juncture where there is a pressing need for the academic community – individually and collectively – to make thoughtful and deliberate decisions about what and whom to support – and under what terms and conditions. These decisions will determine who ultimately controls the research and education process; and whether we meaningfully address inequities created by legacy players or simply recreate them in new ways. These decisions will shape libraries’ role in the scholarly enterprise, now and for the future.


Author(s):  
Tom Rice

The American Legion emerged in March 1919, in the immediate aftermath of world war, a point at which the focus of conservative discourse and government policy shifted from overseas campaigns to domestic threats, from military to political targets. This chapter, by Tom Rice, examines the myriad ways in which the hugely influential American Legion used film at this critical juncture, extending military activities and imperatives into the postwar nation. Whether appropriating wartime government films; becoming an influential and respected voice on film reform; or—after the establishment of a designated film service in 1921—producing, distributing, and exhibiting movies, the American Legion used film to mold American citizens and to visualize, project, and shape the postwar nation. The American Legion’s initial uses of film reveal an industry—and a nation—challenged and torn apart by anxieties about immigration and foreign threats and by a wider battle over American national identity.


Author(s):  
Brian Tochterman

Focusing on the Summer 1961 issue of Dissent, which was a multifaceted examination of New York City and its problems, this chapter shows how the image of the city in decline played a role in the unravelling of the “New York Intellectuals.” Contributors from the “Old Left” split with contributors from the “New Left” in their depictions of New York at this critical juncture. This had implications not only for ideology at a personal level for these intellectuals, but for the governing ideology around urbanism during a period of crisis.


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