Closing Doors, Opening Anew: The Workshop for Cultural Democracy, the Parranda, and Facing Joseph McCarthy (1941–1953)

2019 ◽  
pp. 105-117
Author(s):  
Jan Rosenberg
Keyword(s):  
Cultural Democracy

“Is cultural democracy possible in a museum?”

2017 ◽  
Vol 23 (9) ◽  
pp. 895-898 ◽  
Author(s):  
Mathew Le Breton Poll
Keyword(s):  
Cultural Democracy

scholarly journals Teologi Politik Berbalu SARA Antara Ambisi dan Konspirasi

KALAM ◽  
2017 ◽  
Vol 11 (1) ◽  
pp. 85
Author(s):  
M. Sidi Ritau'din
Keyword(s):  
The Political ◽  
Poor People ◽  
Human Beings ◽  
Abuse Of Power ◽  
Contemporary Politics ◽  
Political Interests ◽  
Cultural Democracy ◽  
Political Advantage

In a multi-cultural democracy based on Pancasila philosophy of independence, ethnic, religious, racial and intergroup issues it call (SARA) are political indicators that can trigger conflict and division. If the player is ambitious and power-hungry, then he will not hesitate to do everything he can to gain power, even build a big conspiracy using SARA as a tool to divide the ummah, then he emerges as a unifier and presents programs prestigious sympathetic, there Imaging actions and slogans of the pro poor people, but essentially no more as political deceit, a false gift of hope, it familiar said (PHP) that never realized, only reap the political advantage in the game of SARA, even not hesitate to shout thief when he Itself is a thieving thief based on greed and greed where the horizontal relations of fellow human beings deny the bond of faith as the foundation. Political conspiracy based on political interests and abuse of power, an action of political pathology that is not civilized that has become a trend of contemporary politics and globalization.

The meaning of leadership in a cultural democracy: Rethinking public library values

LOGOS ◽  
2000 ◽  
Vol 11 (1) ◽  
pp. 38-44 ◽  
Author(s):  
François Matarasso
Keyword(s):  
Public Library ◽  
Cultural Democracy

Epilogue

2016 ◽  
Author(s):  
James Early
Keyword(s):  
Cultural Heritage ◽  
Graduate Student ◽  
Cultural Democracy

The epilogue is by James Early, former director of cultural heritage at the Smithsonian Center for Folklife and Cultural. His long tenure extends across his experiences as a graduate student researcher in the 1970s, supportive assistant secretary, curator, international spokesperson, mentor, and champion of the Festival’s potential for advancing cultural democracy. In this piece, he reflects on the Festival's past and legacies and looks forward, raising questions about future inclinations and directions.

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