Tele Echo Tube for Historic House Tojo-Tei in Matsudo International Science Art Festival 2018

Author(s):  
Hill Hiroki Kobayashi ◽  
Daisuké Shimotoku
Keyword(s):  
Sensors ◽  
2020 ◽  
Vol 20 (17) ◽  
pp. 4980
Author(s):  
Tung-Ching Su

The techniques of concrete crack detection, as well as assessments based on thermography coupled with ultrasound, have been presented in many works; however, they have generally needed an additional source of thermal infrared (TIR) radiance and have only been applied in laboratories. Considering the accessibility of thermal infrared cameras, a TIR camera (NEC F30W) was employed to detect cracking in the concrete wall of an historic house with a western architectural style in Kinmen, Taiwan, based on the TIR radiances of cracking. An operation procedure involving a series of image processing and statistical analysis processes was designed to evaluate the performance of the TIR camera in the assessment of the cracking width. This procedure using multiple measurements was implemented from March to August 2019, and the t-tests indicated that the temperature differences between the inside and outline of the concrete cracks remained insignificant as the temperature or relative humidity (RH) in the subtropical climate rose. The experimental results of the operation procedure indicated that the maximum focusing range, which is related to the size of the sensor array, and the minimum detectable crack width of a TIR camera should be 1.0 m and 6.0 mm, respectively, in order to derive a linear regression model with a determination coefficient R2 of 0.733 to estimate the cracking widths, based on the temperature gradients. The validation results showed that there was an approximate R2 value of 0.8 and a total root mean square error of ±2.5 mm between the cracking width estimations and the observations.


2021 ◽  
Author(s):  
Dawsyn Borland

This project presents the idea that historic house museums (HHMs) can use Augmented Reality (AR) and physical interactive space to bring stories and characters of the past back to life. Designed to foster self-directed discovery and informal learning of the space and story, this project uses a historically factual AR character to reanimate the sense of human presence within the space. Rather than disrupting the traditional narratives of HHMs, this mixed media storytelling experience extends historical stories by making them more personal and relatable. Using tangible stories, multisensory interactions, and an AR experience to extend the historical narrative, this form of museological work creates more opportunities for empathic character-driven storytelling. Lastly, I identify that this proof of concept could be used in multiple applications, as both a storytelling medium and a communication tool.


1998 ◽  
Vol 78 ◽  
pp. 391-432
Author(s):  
Hilary Wayment

The windows of the Great Hall, the Chapel, the Porch, the Priest's Chamber and ‘Queen Anne's Bedroom’ are all garnished with stained glass – figures, roundels, coats of arms, and interesting fragments from a variety of sources English and Continental, and of all centuries from the fifteenth to the twentieth. The most striking are perhaps the four Oxford scholars in the Great Hall, wearing their medical gowns, with the seventeenth-century arms of the Due de Guise below; the three medieval Flemish roundels in Queen Anne's Room; and in the Chapel the Virtues inspired by Reynolds’ designs for New College, Oxford, alongside a late nineteenth-century Crucifixion, no doubt by C.E. Kempe & Co. The collection as a whole is fully worthy of a fine historic house.


2011 ◽  
Vol 17 (2) ◽  
pp. 97-101 ◽  
Author(s):  
Christina J. Hodge ◽  
Christa M. Beranek

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