Popular Culture as Alternative Media: Reggae Music, Culture and Politics in Malawi’s Democracy

Author(s):  
Anthony M. Gunde ◽  
Victor Chikaipa
2017 ◽  
Vol 2 (1) ◽  
pp. 60-71
Author(s):  
Joshua D Atkinson ◽  
Scott Chappuis ◽  
Gabriel Cruz ◽  
Shanna Gilkeson ◽  
Chelsea Kaunert ◽  
...  

This article explores the role of writing about popular culture in politically motivated alternative media. In our study, we engaged in different forms of textual analysis in order to investigate three kinds of articles about Star Wars: The Force Awakens in conservative and liberal alternative media. Specifically, we conducted a close reading of reviews of the film, opinion articles about the film and fluff articles about the film. Essentially, we found that the three types of popular culture articles were necessary for the establishment of strong transformative bridges that allowed for intersections between activist alternative media and mainstream media. In addition, we also found the ideological assumptions embedded within the fluff articles to be the most important aspect of this bridge; these ideologies about culture and consumerism allowed for the strongest intersections to emerge.


2016 ◽  
Vol 74 (1) ◽  
Author(s):  
Hugh H. Davis ◽  
Ryan M. Smith

Alternative media are becoming more widely accepted as forms of literature.  Comic books and graphic novels are now mainstream, with characters and storylines appearing in movies, cartoons, video games, television shows, and more.  Comics and graphic novels are a billion dollar industry that can often go overlooked in the minds of readers.  The resources in this pathfinder will open readers’ eyes to the universe of stories and characters that are contained in comic books.  It will also give readers an idea of the rich history of the industry and the powerful impact that comic books and graphic novels have had on popular culture.  In addition, it will also provide teachers with a multitude of literary resources that they may otherwise overlook.


2009 ◽  
Vol 21 ◽  
pp. 130-148 ◽  
Author(s):  
Marcus Moberg

Metal is perhaps the most extreme and aggressive form of contemporary Western popular music. Even though it continues to spark controversy and debate, it has also enjoyed enduring popularity for decades and has spread on a global scale. Metal music and culture has always been characterized by its fascination for dark and austere themes and imagery. Commonly dealing with topics such as evil, death, war, alienation and suffering, metal groups have traditionally found much inspiration in the world of religion, particularly Judeo-Christian eschatology and apocalypticism, different forms of paganism, occultism, esotericism and, last but not least, Satanism. These kinds of religious/spiritual themes have arguably developed into an integral part of metal culture on the whole. They contribute significantly to investing metal music and culture with an apparent aura of sincerity and mystique as well as to raising its shock and entertainment value. At the same time, metal culture is also marked by its high degree of humour and self-irony, its fondness for exaggeration, spectacle and over-the-top theatrics. Even so, metal stands out as a global popular music culture replete with various kinds of often dark and austere religious and spiritual themes, many of which stand in stark contrast to Christianity. Seen in the wider context of the changing face of religion in the West and the increasingly important role played by popular culture in the transformation of religious and spiritual identities, metal has come to play an important role in the dissemination of a wide variety of ‘dark’ alternative religious/spiritual beliefs and ideas. This article sheds further light on this issue through focusing on some contemporary and successful metal groups from the Nordic countries. In relation to this, attention is also drawn to some of the ways in which dark alternative religious/spiritual ideas may be viewed as having become an inseparable part of some sections of metal culture as they have become actively and consciously explored, and sometimes explicitly pro­moted, by the well known contemporary metal groups discussed in this article.


2021 ◽  
Author(s):  
Moritz Fink

Another book on The Simpsons? you might wonder. Isn’t the yellow cartoon troupe around the eponymous chaotic family somewhat worn-out? Perhaps you even ask yourself whether that nineties’ show is still on the air anyhow. Accolades such as "the best TV show of the twentieth century" or "the longest-running scripted series on American prime-time television" have elevated The Simpsons to the pop culture pantheon, while also suggesting the very vintage character of the program. But the label "The Simpsons" refers not just to a show that seems to belong to a bygone television era, it implies a rich narrative universe, including a set of iconic figures, familiar across continents and generations. Through lens of a transmedia studies, Understanding The Simpsons traces the franchise’s trajectory, from its original conception shaped by alternative media traditions to its astounding, long-lived impact as a cult phenomenon in popular culture. Examining the legacy of online fan forums and bootleg T-shirts from the show’s heyday in the early 1990s, as well as the meaning of The Simpsons in contemporary digital culture, this book demonstrates how one of the most popular comedy series of all time has redefined the intersections between the corporate media and participatory culture – and is alive indeed.


2014 ◽  
Author(s):  
Lance C. Garmon ◽  
Meredith Patterson ◽  
Jennifer M. Shultz ◽  
Michael C. Patterson

2001 ◽  
Author(s):  
Joyanna L. Silberg ◽  
Anna Salter ◽  
Steven N. Gold
Keyword(s):  

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