scholarly journals A Pathfinder for Comic Books and Graphic Novels

2016 ◽  
Vol 74 (1) ◽  
Author(s):  
Hugh H. Davis ◽  
Ryan M. Smith

Alternative media are becoming more widely accepted as forms of literature.  Comic books and graphic novels are now mainstream, with characters and storylines appearing in movies, cartoons, video games, television shows, and more.  Comics and graphic novels are a billion dollar industry that can often go overlooked in the minds of readers.  The resources in this pathfinder will open readers’ eyes to the universe of stories and characters that are contained in comic books.  It will also give readers an idea of the rich history of the industry and the powerful impact that comic books and graphic novels have had on popular culture.  In addition, it will also provide teachers with a multitude of literary resources that they may otherwise overlook.

Over the last twenty years, the growing diversity in content and artistic innovation in graphic novels, comic books, and web comics combined with the popularity of films based on comics material have made comic art newly attractive to curators, museums, and university galleries. More artists identified with comics are getting big budget retrospectives, collecting institutions are mounting rich historical shows, and exhibits capitalizing on the popularity of all types of comics are popping up around the world. This book is an introduction to the history and controversies that have shaped comics exhibitions, who the pioneers were, different ideas about comic art exhibits around the world, how the best practices for displaying comics have developed and why, and how artists and curators have found ways to display comics that break away from the “framed pages on the wall” format. Using long out-of-print reviews and new material from experts such as Art Spiegelman, Denis Kitchen, and Andrei Molotiu, Comic Art in Museums maps out the history of influential shows of original comic art from newly rediscovered shows of the 1930’s to contemporary blockbusters like High and Low: Modern Art, Popular Culture and Masters of American Comics, as well as the critical dialogue surrounding these shows. To borrow a phrase from Theirry Groensteen, it’s the story of one way that comics have finally achieved “cultural legitimization.”


Author(s):  
E. V. Sitnikova

The article considers the historical and cultural heritage of villages of the former Ketskaya volost, which is currently a part of the Tomsk region. The formation of Ketsky prison and the architecture of large settlements of the former Ketskaya volost are studied. Little is known about the historical and cultural heritage of villages of the Tomsk region and the problems of preserving historical settlements of the country.The aim of this work is to study the formation and development of the village architecture of the former Ketskaya volost, currently included in the Tomsk region.The following scientific methods are used: a critical analysis of the literature, comparative architectural analysis and systems analysis of information, creative synthesis of the findings. The obtained results can be used in preparation of lectures, reports and communication on the history of the Siberian architecture.The scientific novelty is a study of the historical and cultural heritage of large settlements of the former Ketskaya volost, which has not been studied and published before. The methodological and theoretical basis of the study is theoretical works of historians and architects regarding the issue under study as well as the previous  author’s work in the field.It is found that the historical and cultural heritage of the villages of the former Ketskaya volost has a rich history. Old historical buildings, including religious ones are preserved in villages of Togur and Novoilinka. The urban planning of the villages reflects the design and construction principles of the 18th century. The rich natural environment gives this area a special touch. 


Multilingua ◽  
2018 ◽  
Vol 37 (1) ◽  
pp. 25-52 ◽  
Author(s):  
Mieke Vandenbroucke

AbstractThis paper focuses on how different historical stages of socio-economic development in Brussels are played out on the ground over time in one particular inner-city neighbourhood, the Quartier Dansaert. In particular, I document the history of this neighbourhood and how urban change and gentrification have impacted the outlook of multilingualism and the development of multilingual discourses and language hierarchies in its material and semiotic landscape over time. By using the rich history of multilingualism in the Quartier Dansaert as a case-study, I argue in favour of more historically-sensitive and longitudinal approaches to social and, in particular, linguistic change as played out in urban landscape.


2021 ◽  
Author(s):  
Clare Grall ◽  
Emily S. Finn

So-called “naturalistic” stimuli have risen in popularity in cognitive, social, and affective psychology and neuroscience over the last 15 years. However, a critical property of these stimuli is frequently overlooked: Media—like film, television, books, and podcasts—are fundamentally not natural. They are deliberately crafted products meant to elicit particular human thought, emotion, and behavior. Given the rich history of scholarship on media as an art and science, subsuming media stimuli under the term “naturalistic” in psychological and brain sciences is inaccurate and obfuscates the advantages that media stimuli offer because they are artificial. Here, we argue for a more informed approach to adopting media stimuli in naturalistic paradigms. We empirically review how researchers currently describe and justify their choice of stimuli for a given experiment and present strategies to improve rigor in the stimulus selection process. We assert that experiencing media should be considered a task akin to any other experimental task(s), and explain how this shift in perspective will compel more nuanced and generalizable research using these stimuli. Throughout, we offer theoretical and practical knowledge from multidisciplinary media research to raise the standard for the treatment of media stimuli in psychological and neuroscientific research.


Author(s):  
Njoroge Njoroge

In those days it was either live with music or die with noise, and we chose rather desperately to live. —Ralph Ellison Black music has always been a tremendous source of information and inspiration for musicians, dancers, and music lovers. Listening to the music opens new worlds and windows onto the rich history of black music, society, and struggle in the circum-Caribbean, and provides a rich archive of the creative musical genius of the African diaspora. Music always expresses the interrelationships of movement, memory, and history, but this is preeminently true of the music of the African diaspora. This book uses music as both optic and focus, to examine and rethink both the modes of black cultural production and social formations in the African diaspora. The music has always been both an expression of “black” life and part of the philosophy that developed and emerged with that life, “as history and as art” (...


Author(s):  
DIANE E. DAVIS

What constitutes modern Mexico? Is there a clear distinction between the historic and modern Mexico City? And if there are, does this distinctions hold up throughout the twentieth century, when what is apparent is a mix of legacies coexisting overtime? This chapter discusses the semiotics of history and modernity. It discusses the struggle of the Mexico City to find its own image including its struggle to preserve historic buildings amidst the differing political alliances that either promote change or preserve the past. However, past is not a single entity, hence if the preservation of the rich history of Mexico is pursued, the question arises as to what periods of history represented in the city are to be favoured in its future development. In this chapter, the focus is on the paradoxes of the Torre Bicentenario and on the pressures to preserve Mexico’s past, the ways they have been juxtaposed against the plans for its future and how the balance of these views has shifted over time. It determines the key actors and the institutions who have embraced history as opposed to progress, identifies the set of forces that dominated in the city’s twentieth-century history, and assesses the long-term implications of the shifting balance for the social, spatial and built environmental character of the city. The chapter ends with a discussion on the current role played by the cultural and historical authorities in determining the fate of the city.


Author(s):  
Lynn Zastoupil

This essay re-examines the fact that J. S. Mill’s published work registers surprisingly few direct examples of influence from India, despite his lengthy East India Company career. Situating Mill’s contact with South Asia in the rich history of Anglo-Indian intellectual exchange that colonialism engendered, it argues that this missed opportunity to connect is striking because of the confluence of extraordinary motives and opportunity in Mill’s early life. During the 1830s, European intellectual influences and colonial imperatives combined to lead Mill to advocate a form of Einfühlung—sympathetic understanding of others—at the very moment when the visiting Indian reformer Rammohun Roy was being celebrated across Britain by many individuals close to Mill, such as Jeremy Bentham. Yet Mill never met Rammohun and he virtually ignored the celebrated Bengali in his correspondence and published work. This neglect, the chapter argues, is astounding: not only did Mill and Rammohun campaign alike for freedom of the press in the 1820s, but numerous people that Mill knew used Rammohun’s example to argue that social progress depends on such liberties, a view of progress that Mill shared at the time. The essay concludes that Mill’s rejection of this foundational idea of liberty in favour of the famously restrictive one espoused in On Liberty awaits proper investigation, as does the abandonment of Einfühlung in his later publications.


Author(s):  
Ilan Stavans

“The letterless canon” argues that Jewish literature from the mid-twentieth century onward is not restricted to fiction, poetry, and theater. The book as a tool for the dissemination of knowledge has undergone a metamorphosis. Along the way, the border between high-brow and popular culture has been erased. Comic strips like Superman and graphic novels can be viewed as literary artifacts. Indeed we should consider the work of Will Eisner (A Contract with God), Art Spiegelman (Maus), and Alison Bechdel (Fun House), each of whom offers different contributions. There is also the matter of stand-up comedy, film scripts, and television shows which examine, from a Jewish perspective, gender, racial, and class issues.


Author(s):  
Frederick Luis Aldama

Despite Latinxs being the largest growing demographic in the United States, their experiences and identities continue to be underrepresented and misrepresented in the mainstream pop cultural imaginary. However, for all the negative stereotypes and restrictive ways that the mainstream boxes in Latinxs, Latinx musicians, writers, artists, comic book creators, and performers actively metabolize all cultural phenomena to clear positive spaces of empowerment and to make new perception, thought, and feeling about Latinx identities and experiences. It is important to understand, though, that Latinxs today consume all variety of cultural phenomena. For corporate America, therefore, the Latinx demographic represents a huge buying demographic. Viewed through cynical and skeptical eyes, increased representation of Latinxs in mainstream comic books and film results from this push to capture the Latinx consumer market. Within mainstream comic books and films, Latinx subjects are rarely the protagonists. However, Latinx comic book and film creators are actively creating Latinx protagonists within richly rendered Latinx story worlds. Latinx comic book and film creators work in all the storytelling genres and modes (realism, sci-fi, romance, memoir, biography, among many others) to clear new spaces for the expression of Latinx subjectivities and experiences.


2019 ◽  
Vol 91 (03) ◽  
pp. 1028-1044
Author(s):  
Dmitry D. Vasyukov ◽  
Olga A. Krylovich ◽  
Dixie L. West ◽  
Virginia Hatfield ◽  
Arkady B. Savinetsky

AbstractWe discuss the cultural roles of dog and red fox recovered from Carlisle Island, Islands of Four Mountains, Alaska, within the context of Aleutian ethnographic and zooarchaeological records. Three dog bones were recovered from the Ulyagan archaeological site, Unit 5, in levels that date to AD 1450–1645. Three red fox bones come from the Ulyagan site, Unit 4, in levels that date 460 BC–AD 95. Our analyses show that both red fox and domestic dog date earlier than the contact with Russians and that these canids do not extend west of the Islands of Four Mountains archipelago. Given the rich history of human intervention on the Aleutians ecosystems over the last 250 years, we argue that indigenous red fox inhabited the Islands of the Four Mountains region prior to western contact; however, foxes did not have a pronounced cultural role for prehistoric Aleuts. Domestic dogs accompanied humans in the Aleutians after AD 950, suggesting that these canids might be linked with the Neo-Aleut culture. In the light of Arctic and oceanic cases of human use of dogs considered in the paper, we suggest that dogs might have served as reserve food sources during long trips for people migrating west.


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