La Pata de Cabra, Satire and Free Speech in Nineteenth-Century Mexico City

The article examines how La Pata de Cabra (The Goat's Hoof ), an over-the-top fantastical Spanish comedia de magia (magic play), came to figure centrally in serious debates about Mexican politics and society between 1845 and 1857. The article explores the play's popularity and its resonance in the press – it spawned at least half a dozen satirical newspapers – to argue that satire became a critical political language and form of expression that broadened and sustained debates in an era marked by volatile and often heavily restricted press freedoms. The article's focus on the La Pata phenomenon brings two fields of study, theatre and the press, into productive and necessary conversation.

Estimation of Holocene bedload sedimentation rate in a paleo-drowned river-valley (Middle Harbour, Sydney estuary, Australia)

Middle Harbour is a drowned-river valley located adjacent to the larger Sydney estuary, Australia. Extensive, high-resolution seismic data were correlated with borehole, land use, topographical, and geological data to calculate the mass of genetically different sediment deposits in Middle Harbour. The Harbour follows a well-defined drowned river-valley structure featuring small fluvial bedload delta deposits in the upper reaches of the embayments, a deep, central extensive mud basin overlying transgressive basal accumulations and a large flood-tide delta at the entrance. Deposits of an estimated 5,094 t of bedload, 21,143 t of suspended sediment and 5,947 t of transgressive basal material located in the estuary provided sedimentation rates of 0.68 t y-1, 1.29 t y-1, and 2.86 t y -1 respectively. These rates, determined from measured accumulations, were surprisingly low and substantially smaller than modelled rates. However, low sedimentation rates for suspended material may be due to fine sediment escaping over the top of the marine tidal delta, which effectively traps all bedload material from exiting the Harbour. Results of this study indicate that Holocene bedload sedimentation in Middle Harbour was slow and regular until a rapid increase after urbanisation commenced in the catchment. Most pre-Holocene material was eroded from Middle Harbour during the Last Glacial period with sediment currently present in the estuary having been deposited since sea-level recovery.

Expansion of the core business of traditional media companies in Spain through SVOD services

The strategic importance of the internet for television became evident in the early 2000s, even destabilizing its very concept and finally resulting in convergence towards a profound transformation of the sector. The introduction of global over-the-top (OTT) media services into local markets has led to strategic changes in multimedia groups. This study considers the subscription video-on-demand (SVOD) services of Atresmedia and Mediaset España, the two main traditional media organizations in Spain that form a duopoly in the country’s commercial television sector, with the aim of understanding and evaluating their positioning strategy in this market and the results obtained through the diversification of their core business. Based on an analysis of their content, price, and promotion policies and the results in terms of subscriptions and revenues, slight differences emerge regarding the strategy and scope of these two groups in their own environment in the sector. They compete for customers to achieve growth in the audiovisual market while seeking to retain a cross-media, multiplatform audience, as well as expand their core business of commercial linear television against a background of a reduction of advertising spend on television and the expected increase of hybrid financing models.

Change in sagittal alignment after decompression alone in patients with lumbar spinal stenosis without significant deformity: a prospective cohort study

OBJECTIVE The authors’ objective was to investigate whether sagittal balance improves in patients with spinal stenosis after decompression alone. METHODS This prospective longitudinal cohort study compared preoperative and 6-month postoperative 36-inch full-length radiographs in patients aged older than 60 years. Patients underwent decompression alone for central lumbar spinal stenosis with either a minimally invasive bilateral laminotomy for central decompression, unilateral laminectomy as an over-the-top procedure for bilateral decompression, or traditional wide laminectomy with removal of the spinous processes on both sides. The following radiographic parameters were measured: sagittal vertical axis (SVA), lumbar lordosis (LL), pelvic tilt (PT), pelvic incidence (PI), PI-LL mismatch, coronal Cobb angle, and sacral slope (SS). Patient-reported outcome measures (PROMs) were collected, including scores on the Oswestry Disability Index (ODI), visual analog scale (VAS) for leg and back pain, and EQ-5D. RESULTS Forty-five patients (24 males) with a mean ± SD age of 71.8 ± 5.6 years were included. Sagittal balance showed statistically significant improvement, with the mean SVA decreasing from 52.3 mm preoperatively to 33.9 mm postoperatively (p = 0.0001). The authors found an increase in LL, from mean −41.5° preoperatively to −43.9° postoperatively, but this was not statistically significant (p = 0.055). A statistically significant decrease in PI-LL mismatch from mean 8.4° preoperatively to 5.8° postoperatively was found (p = 0.002). All PROM scores showed significant improvement after spinal decompression surgery. The correlations between SVA and all PROMs were statistically significant at both preoperative and postoperative time points, although most correlations were weak except for those between preoperative SVA and ODI (r = 0.55) and between SVA and VAS for leg pain (r = 0.58). CONCLUSIONS Sagittal balance and PROMs show improvement at short-term follow-up evaluations in patients who have undergone decompression alone for lumbar spinal stenosis.

Impact of OTT media on the society: insights from path analysis

PurposeThe proliferation of the internet has enabled over-the-top (OTT) media to spread rapidly. It is now at the threshold of creating a huge social impact. However, there have been no studies so far that have examined the impact of OTT media on society, family and individuals. This study proposes to investigate the same and discover its impact on the family, society and whether it has any effect on individuals' career or education and one's health.Design/methodology/approachPath analysis was used to investigate the patterns of the effect of OTT on the family and society. This method was chosen since it allows to examine the influences within a system of variables and gain insights into the OTT media's impact. The responses were collected through an online questionnaire.FindingsThe paper provides empirical insights into the impact of OTT media. It reveals some interesting and crucial insights on its influence.Research limitations/implicationsBecause of the chosen research approach, the research results do not establish any causal relationships. Since the survey was conducted during the pandemic, further research during “normal” time is suggested.Practical implicationsThe paper discloses the powerful and growing OTT media's significance.Social implicationsWith watching OTT emerging very rapidly as a powerful channel of entertainment, what people see is very important. Hence, the purpose of this empirical study to investigate the influence of OTT media on individual, family and society is crucial and topical.Originality/valueThis paper fulfils an identified need to understand OTT media's influence.

Trailblazer or a One-off?

The paper attempts to analyse the international success of the Danish televisual series Rita (TV2 Denmark - Netflix, 2012-2020). It places the production in a wider cultural and historical context and treats it as an exemplification of, what the author deems, a recent shift in representations of teachers in visual media narratives. The author’s argumentation is premised on three principal assumptions. First, Rita demonstrates that after the genre’s decline at the turn of the twentieth century, the school-centred audio-visual narratives are back in favour. The trend is connected to the growth of the post-network television and the so-called over-the-top services (OTT). Second, the substantial part of Rita’s wide appeal is related to the show’s innovative application of the conventions known from the earlier Scandinavian productions and themes from serials about “difficult women”. This particularly concerns the show’s adept exploration of the resilient and anti-heroic female lead character. Third, Rita is regarded as an early indication of the shift in the ways school life and teachers are represented in the media today. The author stipulates that the show may augur the emergence of many similar complex televisual images of teachers in the near future.

OTT Streaming Distribution Strategies for Dance Performances in the Post-COVID-19 Age: A Modified Importance-Performance Analysis

The purpose of this study was to explore strategies for distributing online content of dance post COVID-19 in Korea. And specially to discuss the distribution strategies of online performances through videoization of dance performances and OTT (over-the-top) streaming: (1) Methods: For this purpose, a survey was conducted on the distribution strategy of dance online contents for a total of 100 practitioners such as dance field, video contents, and art management. A total 91 sample were used except for defective questionnaires, and Vavra (1997)’s modified important performance analysis was conducted; (2) Results: The results of the matrix through the modified IPA analysis are as follows: first, the first quadrant included ‘quality of dance performance’, ‘platform for OTT streaming’, and ‘promotion for potential audience development’. This means that both explicit and intrinsic importance are high, and it is an important execution factor that has a positive effect on the satisfaction of the online contents of dance only if it is met. Second, the second quadrant included ‘brand awareness of choreographer or dance company’, ‘creative composition and choreography’, and ‘fee and price criteria’. This is a case of low explicit importance but high intrinsic importance, and these factors are attractive attributes that affect the satisfaction of dance online contents, although consumers do not expect it to be important. Third, the third quadrant included ‘new formats and curation’, ‘convergence technology (AR, VR, 3D, etc.) for the field sense’, and ‘online audience service (communication, membership, etc.)’. This means that both explicit and intrinsic importance are low, and if these factors are met, it can have a positive effect on the satisfaction of viewing of dance online contents. However, it does not have a negative effect even if it is not met. Fourth, in the fourth quadrant, ‘production and editing competency’, ‘quality of videos and sounds’, ‘copyright of performance creation’, and ‘fandom and audience management’ was included. This is an essential attribute in the distribution strategy of dance online contents because it has high explicit importance and low intrinsic importance, and it can have a negative impact on satisfaction when these factors are not met.