Artificial Life and Artificial Intelligence Advances in the Visual Arts

2021 ◽  
pp. 3-26
Author(s):  
Penousal Machado ◽  
Juan Romero ◽  
Gary Greenfield
Keyword(s):  
Artificial Intelligence ◽  
Visual Arts ◽  
Artificial Life

scholarly journals Epistemic practices in Bio Art

AI & Society ◽  
2021 ◽  
Author(s):  
Suzanne Anker
Keyword(s):  
Biological Sciences ◽  
Visual Arts ◽  
Artificial Life ◽  
Scientific Data ◽  
Cultural Imagination ◽  
Epistemic Practices

AbstractThis paper addresses three aspects of Bio Art: iconography, artificial life, and wetware. The development of models for innovation require hybrid practices which generate knowledge through epistemic experimental practices. The intersection of art and the biological sciences contain both scientific data as well as the visualization of its cultural imagination. In the Bio Art Lab at the School of Visual Arts, artists use the tools of science to make art.

scholarly journals Artificial intelligence in artistic practices

2021 ◽  
pp. 41-50
Author(s):  
Asmati Chibalashvili
Keyword(s):  
Neural Network ◽  
Artificial Intelligence ◽  
Visual Arts ◽  
Human Condition ◽  
Human Intervention ◽  
Basic Principles ◽  
Generative Art ◽  
Works Of Art ◽  
Artificial Intelligence Technology ◽  
Emotionally Intelligent

The article considers methods of involving artificial intelligence in artistic practices. Based on the analysis of ways to use this technology in visual arts and music, the basic principles of working with artificial intelligence technology are identified, including: imitation of historical art, implemented in projects The Next Rembrandt and Choral; generative art, which is found in the works “Hyperbolic Composition І” and “Hyperbolic Composition ІІ” of S. Eaton and also in the AIVA program (Artificial Intelligence Virtual Artist). The importance of the mechanisms of neurobiology in the process of working with artificial intelligence on the example of the project “Neural Zoo” of S. Crespo, Iamus program, in which the development of musical material is based on the principle of evolution, is stated. In the application Endel and in the opera “Emotionally intelligent” Artificially Intelligent Brainwave Opera» of E. Perlman, a neural network is used to read information about the human condition and its further processing for modification into a sound landscape or image. The development of artificial intelligence and its use in artistic practices opens up new opportunities, expanding both the field of authors of artistic content and attracting new audience. This phenomenon provokes many issues, including: the ability to think artificially of artificial intelligence, the ability to create works of art without human intervention, as well as issues related to copyright.

Hybrid Emotionally Aware Mediated Multiagency

2012 ◽  
pp. 1314-1329
Author(s):  
Giovanni Vincenti ◽  
James Braman
Keyword(s):  
Artificial Intelligence ◽  
Artificial Life ◽  
Consumer Products ◽  
Agent Societies ◽  
Everyday Lives ◽  
Agent Interaction ◽  
Multi Agent ◽  
Thinking Processes

Emotions influence our everyday lives, guiding and misguiding us. They lead us to happiness and love, but also to irrational acts. Artificial intelligence aims at constructing agents that can emulate thinking processes, but artificial life still lacks emotions and all the consequences that come from them. This work introduces an emotionally aware framework geared towards multi-agent societies. Basing our model on the shoulders of solid foundations created by pioneers who first explored the coupling of emotions and agency, we extend their ideas to include inter-agent interaction and virtual genetics as key components of an agent’s emotive state. We also introduce possible future applications of this framework in consumer products as well as research endeavors.

Computational Foundations of the Anticipatory Artificial Autopoietic Cellular Automata

2021 ◽  
pp. 289-307
Author(s):  
Daniel M. Dubois ◽  
Stig C. Holmberg
Keyword(s):  
Artificial Intelligence ◽  
Cellular Automata ◽  
Living Cell ◽  
Artificial Life ◽  
Initial Conditions ◽  
Living Cells ◽  
Asymmetric Membrane

A survey of the Varela automata of autopoiesis is presented. The computation of the Varela program, with initial conditions given by a living cell, is not able to self-maintain the membrane of the living cell. In this chapter, the concept of anticipatory artificial autopoiesis (AAA) is introduced. In this chapter, the authors present a new algorithm of the anticipatory artificial autopoiesis, which extend the Varela automata. The main enhancement consists in defining an asymmetric membrane of the artificial lining cell. The simulations show the anticipatory generation of artificial living cells starting with any initial conditions. The new concept of anticipatory artificial autopoiesis is related to artificial life (Alife) and artificial intelligence (AI). This is a breakthrough in the computational foundation of autopoiesis.

scholarly journals Emergence of Organisms

Entropy ◽  
2020 ◽  
Vol 22 (10) ◽  
pp. 1163
Author(s):  
Andrea Roli ◽  
Stuart A. Kauffman
Keyword(s):  
Artificial Intelligence ◽  
Adaptive Behavior ◽  
Artificial Life ◽  
Living Systems ◽  
Self Sufficiency ◽  
Evolution Of Life ◽  
High Level ◽  
Hostile Environments

Since early cybernetics studies by Wiener, Pask, and Ashby, the properties of living systems are subject to deep investigations. The goals of this endeavour are both understanding and building: abstract models and general principles are sought for describing organisms, their dynamics and their ability to produce adaptive behavior. This research has achieved prominent results in fields such as artificial intelligence and artificial life. For example, today we have robots capable of exploring hostile environments with high level of self-sufficiency, planning capabilities and able to learn. Nevertheless, the discrepancy between the emergence and evolution of life and artificial systems is still huge. In this paper, we identify the fundamental elements that characterize the evolution of the biosphere and open-ended evolution, and we illustrate their implications for the evolution of artificial systems. Subsequently, we discuss the most relevant issues and questions that this viewpoint poses both for biological and artificial systems.

Turing, Searle, and the Wizard of Oz

2010 ◽  
Vol 14 (2) ◽  
pp. 88-102
Author(s):  
S. D. Noam Cook ◽  
Keyword(s):  
Artificial Intelligence ◽  
20Th Century ◽  
Artificial Life ◽  
The Other ◽  
Living Systems ◽  
Wizard Of Oz ◽  
Central Elements ◽  
Future Technologies

Since the middle of the 20th century there has been a significant debate about the attribution of capacities of living systems, particularly humans, to technological artefacts, especially computers—from Turing’s opening gambit, to subsequent considerations of artificial intelligence, to recent claims about artificial life. Some now argue that the capacities of future technologies will ultimately make it impossible to draw any meaningful distinctions between humans and machines. Such issues center on what sense, if any, it makes to claim that gadgets can actually think, feel, act, live, etc. I outline this debate and offer a critique of its persistent polarization. I characterize two of the debate’s major camps (associated roughly with Turing and Searle); argue that the debate’s structure (including key assumptions inherent to each camp) precludes resolution; and, contend that some central clashes within the debate actually stem from an inadequately drawn distinction between claims about the capacities of artifacts and claims about the proper criteria for assessing such attributions. I offer a different perspective in which I: challenge some central elements of the debate that contribute to its perennially irresolvable state; hold that the debate needs to be placed more squarely in sync with how we in fact treat the attribution of such capacities to humans themselves; and, offer (unlike the other two camps) a foothold for making moral assessments of such proposed technologies.

Sign in / Sign up

Export Citation Format

Share Document