scholarly journals Holistic Design of Visual Collaboration Arenas and Intelligent Workspaces

Author(s):  
Frank Lillehagen ◽  
Sobah Abbas Petersen ◽  
Sven-Volker Rehm
Keyword(s):  
2021 ◽  
pp. 102867
Author(s):  
Niels Lassen ◽  
Tine Hegli ◽  
Tor Helge Dokka ◽  
Terje Løvold ◽  
Kristian Edwards ◽  
...  

2003 ◽  
Vol 7 (3-4) ◽  
pp. 210-216 ◽  
Author(s):  
Molly M. Stevens ◽  
Gregory D. Abowd ◽  
Khai N. Truong ◽  
Florian Vollmer
Keyword(s):  

Author(s):  
Robert Lanier Reid

Does Spenser’s Mutabilitie Songcomplete his epic,or point to a more transcendent scope in its final half?It derogates the pagan gods; itreforms the titan Mutability (unlike the discarded demon-titans in books 1-6); and its grand pastoral pageantfalls short of the symbolic city toward which the poem moves. Spenser’s holistic design is more clearly implied in his ordering of deadly sins (FQ 1.4). Compared with Dante’s pattern of sins, of purgations, and of ascensions in the Commedia, it offers a vital clue to The Faerie Queene’s format–based on the Christian-Platonismthat informs all its figures and sequences. Much evidence suggests Elizabeth I would admire a mystic structuring of this epic that so honors her. As for Shakespeare’s attentiveness to last things, we explore the theme of ‘summoning’ in Hamlet and King Lear, both concerned–as in The Summoning of Everyman–with ‘readiness’ and ’ripeness’ in the face of death and judgment. In The Tempest’s deft collocation of all social levels and artistic genres, and its odd convergence with Spenserian allegory, we debate the insistence on Shakespeare’s secularism by examining the range of meaning in Prospero’s ‘Art’.


2019 ◽  
Vol 136 ◽  
pp. 01032 ◽  
Author(s):  
Fu Xiao-li ◽  
Dai Zhi-yong

The modern furniture has been closely linked to architecture since its inception. There is an intrinsic correlation between furniture and architecture in Schröder House, which is designed by Gerrit Rietveld who is one of the masters of De Stiji architecture. The architectural space is constructed based on the design vocabulary of ‘architectural furniture’. On the contrary, the furniture design presents the characteristics of "furniture building”. The article tries to assay the history between Schröder House and De Stiji, the characteristics of the epoch, and combined with Gerrit Rietveld’s design thought and related works, it analyzes the integration between furniture and architecture from the angles of structural system based on scaffolding, spatial ratio based on golden segmentation, colour system based on t primary colours in Schröder House.


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