Research on Spatial and Dynamic Planning Methods for Settlement Buildings Based on Data Mining

Traditional settlements are widely concerned by academic circles for their unique settlement patterns, exquisite residential buildings, and rich historical and cultural connotations, and their protection and development is an important proposition for rural revitalization. Therefore, from the perspective of big data mining (BDM), this paper explores its application in architectural space and settlement protection of traditional settlements in Hainan and provides new ideas for the protection and renewal of traditional settlements in Hainan. The attribute elements of spatial data of settlement groups are analyzed by the decision tree classification mining method. In order to avoid the multivalued tendency of ID3 algorithm and improve the efficiency of decision tree generation by ID3 algorithm, an improved ID3 algorithm is proposed by introducing user interest and simplifying the calculation process of the algorithm. At the same time, the graph theory recognition method of grid pattern is proposed. Aiming at the intersection graph and direction relation graph of straight line pattern, grid pattern recognition is realized by solving the connectivity, intersection, and subsequent construction of the maximum complete subgraph. Experiments show that the improved ID3 algorithm has better running efficiency than the parallel algorithm based on cooccurrence matrix. The analysis of the architectural space of traditional settlements in Hainan will help us better grasp social activities and provide direction for the protection and renewal of traditional settlements from the perspective of tourists and residents.

Re-framing the Crusades: The Representation of Space, Landscape and Architecture in the Comics Series Croisade

In both medieval and contemporary culture, defamiliarization in space frames the imagined relationship with the other in fantasized views of the East. This paper addresses ways the creative imagination functions in the contemporary four-volume Belgian comics series Croisade by Dufaux and Xavier (vol I-IV). They foster a self-reflexive vision of competing universes, from the Celtic to the ancient Roman, from the Moorish to the Gothic. The cultural relativism of our contemporary era seems more relevant than any attempt to historicize faithfully the fictional plot. These comic books exploit the visual evidence of space as emblematic natural sites of heterotopias like the desert, and architectural space like Jerusalem, some burial sites, the sultan’s oriental palace and the Crusaders’ fortress, while assessing the changing representation of space from the medieval era to the present.

How to Reveal the Meaning of Space in Vernacular Architecture?

Vernacular architecture is a modest style of building used to maintain the balance of human relations with nature. This architectural style is specific to a region and passed down from one generation to another to embody cultural values. However, its development is currently facing globalization and modernization challenges, thereby leading to a gradual shift of this ancestral heritage to modern buildings. Change is unavoidable due to continuous evolution, however, the meaning inherent architecture buildings need to be maintained because it contains the cultural and social values of the associated local community. Furthermore, vernacular building space is a place for social activities and contains historical meaning applicable to modern buildings. Its functionality responds to changes and the needs of times while maintaining the local essence. Therefore, this research aims to determine the suitable method needed to reveal the meaning of vernacular architectural space. Data were collected from the conscious mind of space users through in-depth interviews by applying epoche, which were further reduced, categorized, and integrated to determine its meaning. The data collected through a literature review were analyzed using the content analysis method. The results showed that transcendental phenomenology is the right method to determine the meaning of vernacular architectural space. Based on the results, it is concluded that the meaning passed down from one generation to another could be expressed through the conscious experience of space users. Furthermore, transcendental phenomenology helped reveal the meaning without the intervention of the author’s knowledge, therefore it is unbiased and applicable in modern buildings.

Palace Courtyards in Iléṣà: A Melting Point of Traditional Yorùbá Architecture

The Yorùbá courtyard is an important architectural space in traditional Yorùbá architecture that has not received adequate scholarly attention. This paper examines the courtyards in the palace of certain chiefs and Ọwá Obòkun in Iléṣà, in southwest Nigeria. Fieldwork identified about ten courtyards in the palace of the Ọwá, four in the Rísàwè palace, and two in the palaces of the Léjọkà and Ọdọlé of Iléṣà. It uses these courtyards as models for courtyards in Yorùbá architecture. The study revealed that most of the courtyards in the Ọwá’s palace are generally not used for one specific function, though some are used mainly for religious purposes. The courtyards in the palaces of the chiefs are more functional, and better maintained than those of the Ọwá’s palace. The paper concludes that—considering their ancient and social function—the courtyards form a melting point within Yorùbá architecture. It suggests that efforts be made to ensure that the existing courtyards in these palaces are designated as land

Nicola Zabaglia’s Scaffoldings for the Maintenance of Architectural Space in St. Peter’s Basilica and throughout Europe in the Seventeenth to Nineteenth Centuries

The scenographic architectural space of St. Peter’s represents an authoritative framework for the exhibition of the Vatican’s intellectual and technological potential. The creation and maintenance of St. Peter’s spurred inventions in construction practices and building technology, including the development of ad hoc scaffolding systems that could be assembled in prohibitive conditions. As demonstrated in this article, St. Peter’s Fabbrica and the Church fostered a reassuring place of experience, where rigour and tradition encouraged the realization of striking accomplishments. Notable among others were the scaffoldings designed by the master carpenter Nicola Zabaglia, to whose work the 1743 Castelli e ponti was dedicated. The 1824 reprint of this volume enjoyed a critical fortune in Europe, disseminating the place-specific knowledge of the Vatican Fabbrica.

UNDERGROUND WELBECK: INTAGIBLE SPACES John Cavendish-Scott-Bentinck, 5th Duke of Portland (1800–1879)

The life of the 5th Duke of Portland is a story about the mental obsession to find a haven of absolute stillness, a worry-free place, and somewhere to feel safe (Pl L1/2/8/3/13: Four letters to Fanny Kemble, 1842–1845. In these letters, the 5th Duke refers to the subsoil as “shelter” and the “only safe place”, found in Manuscripts and Special Collections, Archives Nottingham University). Perhaps it is there, in the space that unfolded away from the visible world, that he found the strength to overcome his difficulties and to understand the scale of space and its intangibility; he was aware of the relationships and interaction between the human body, inhabited space, and the mind, and this information helped him in his hiding process. After his appointment as the heir to his immense estate, a series of investments on an unprecedented scale began almost immediately, which have been considered, both technically and conceptually, to be pioneers of domestic and landscape architecture during the nineteenth century. Welbeck Estate represents the construction of a double city, one that is visible and another that is concealed, but it is also a reflection of how our body and our mind interfere, dialogue, and create an architectural space that is framed in a cognitive process. Space and time were unfolded and folded into themselves in order to build this fascinating scenery, which represents the duke’s life.

DETERMINATION OF COLORED SURFACE PROPERTIES ART OBJECT AS A MEANS OF CREATING A HARMONIOUS ARCHITECTURAL ENVIRONMENT

The article examines the properties of the colored surface of the Art object as a means of creating a harmonious architectural environment. The question was raised about the relevance of increasing the comfort, functionality, ergonomics, environmental friendliness and aesthetics of the design of the architectural environment, which is associated with global problems caused by the deterioration of the environment and unprecedented measures in connection with the pandemic. Taking into account the fact that the introduction of elements of fine art into the architectural space is always accompanied by only positive emotions, the necessary design of various types of Art objects in the modern architectural space has been determined. It is indicated that the artistic material is the main factor in the objects of fine art, capable of participating in the formation of the aesthetic perception of the environment. The analysis of the existing sources of theoretical and practical experience has shown the relevance of this problem. Based on the results of the analysis, the main properties of the colored surface were systematized, identified and determined, which affect the perception of the texture of colored surfaces of different types of art forms of Art objects, depending on the following factors: 1) color saturation and lighting; 2) distance from observer; 3) property of the surface of the material and the nature of its processing; 4) the color tone of the material surface, its saturation and lightness. Methods of its use in different types of Art objects are proposed. Typical examples of the practical implementation of the use of Art objects using the possibilities of a colored surface in a modern architectural space, made by the authors of the study and modern examples of world art, are presented in a visual table. Based on the results of the study, the main tools were identified that may be necessary in the design practice of architects, designers, artists to create a harmonious architectural environment.

Mutual interaction between literature and architectural space

Examples of the interaction of literature and architectural space are considered in this article. The considered examples demonstrate the role of literature in solving various architectural problems. For example, social tasks related to the safety of the urban environment, in the creation of a unique image of the city, the development of stylistic trends, environmental problems. Human perception of architectural space, described in the literature, can make an invaluable contribution to scientific research in the social and humanitarian direction. The description of architectural spaces allows us to identify the level of comfort, the influence of architectural objects and landscape on people, the correspondence of the urban environment to the worldview of the townspeople. Both directions have huge scientific potential in research activities. The result of this research is the interpretation of the literary description of the subject environment of applied folk art in a modern interior. The architectural space has a scenic character reflecting the literary descriptions of the yurt's interior. This approach can be used as the main direction in the development of the concept of architectural spaces for different functional purposes. This article examines an example of a kindergarten organized according to the principle of "the walls teach".