Getting into the Living Memory Box: Family archives & holistic design

2003 ◽  
Vol 7 (3-4) ◽  
pp. 210-216 ◽  
Author(s):  
Molly M. Stevens ◽  
Gregory D. Abowd ◽  
Khai N. Truong ◽  
Florian Vollmer
Keyword(s):  
Holistic Design

scholarly journals Enabling holistic design for high energy efficient office buildings through the use of subjective occupant feedback

2021 ◽  
pp. 102867
Author(s):  
Niels Lassen ◽  
Tine Hegli ◽  
Tor Helge Dokka ◽  
Terje Løvold ◽  
Kristian Edwards ◽  
...  
Keyword(s):  
Energy Efficient ◽  
High Energy ◽  
Office Buildings ◽  
Occupant Feedback ◽  
Holistic Design

End-songs: final vistas of Spenser and Shakespeare

2017 ◽  
Author(s):  
Robert Lanier Reid
Keyword(s):  
King Lear ◽  
Faerie Queene ◽  
Elizabeth I ◽  
The Tempest ◽  
The Face ◽  
Holistic Design ◽  
The Faerie Queene

Does Spenser’s Mutabilitie Songcomplete his epic,or point to a more transcendent scope in its final half?It derogates the pagan gods; itreforms the titan Mutability (unlike the discarded demon-titans in books 1-6); and its grand pastoral pageantfalls short of the symbolic city toward which the poem moves. Spenser’s holistic design is more clearly implied in his ordering of deadly sins (FQ 1.4). Compared with Dante’s pattern of sins, of purgations, and of ascensions in the Commedia, it offers a vital clue to The Faerie Queene’s format–based on the Christian-Platonismthat informs all its figures and sequences. Much evidence suggests Elizabeth I would admire a mystic structuring of this epic that so honors her. As for Shakespeare’s attentiveness to last things, we explore the theme of ‘summoning’ in Hamlet and King Lear, both concerned–as in The Summoning of Everyman–with ‘readiness’ and ’ripeness’ in the face of death and judgment. In The Tempest’s deft collocation of all social levels and artistic genres, and its odd convergence with Spenserian allegory, we debate the insistence on Shakespeare’s secularism by examining the range of meaning in Prospero’s ‘Art’.

scholarly journals Study on the Connotation of Holistic Design Associated with De Stiji Architecture and Furniture

2019 ◽  
Vol 136 ◽  
pp. 01032 ◽  
Author(s):  
Fu Xiao-li ◽  
Dai Zhi-yong
Keyword(s):  
Furniture Design ◽  
Structural System ◽  
Architectural Space ◽  
Intrinsic Correlation ◽  
Colour System ◽  
Holistic Design

The modern furniture has been closely linked to architecture since its inception. There is an intrinsic correlation between furniture and architecture in Schröder House, which is designed by Gerrit Rietveld who is one of the masters of De Stiji architecture. The architectural space is constructed based on the design vocabulary of ‘architectural furniture’. On the contrary, the furniture design presents the characteristics of "furniture building”. The article tries to assay the history between Schröder House and De Stiji, the characteristics of the epoch, and combined with Gerrit Rietveld’s design thought and related works, it analyzes the integration between furniture and architecture from the angles of structural system based on scaffolding, spatial ratio based on golden segmentation, colour system based on t primary colours in Schröder House.

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