Managing space, organising the sublime

2011 ◽  
pp. 28-38
Author(s):  
Martin Parker
Keyword(s):  
The Sublime

Lucan and the Sublime

2012 ◽  
Author(s):  
Henry J. M. Day
Keyword(s):  
The Sublime

Interpassivity and Misdemeanours: The Art of Thinking in Examples and the Žižekian Toolbox

2018 ◽  
Author(s):  
Robert Pfaller
Keyword(s):  
Specific Role ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Sublime

Starting from a passage from Slavoj Žižek`s brilliant book The Sublime Object of Ideology, the very passage on canned laughter that gave such precious support for the development of the theory of interpassivity, this chapter examines a question that has proved indispensable for the study of interpassivity: namely, what does it mean for a theory to proceed by examples? What is the specific role of the example in certain example-friendly theories, for example in Žižek’s philosophy?

‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War

2020 ◽  
Vol 15 (4) ◽  
pp. 488-514
Author(s):  
Udith Dematagoda
Keyword(s):  
First World War ◽  
Wyndham Lewis ◽  
World War ◽  
Technological Society ◽  
The Sublime ◽  
The First World War ◽  
Post War ◽  
First World

This article explores Wyndham Lewis's experience of the First World War, and its influence on his varied artistic output. It interrogates how Lewis's initial ambivalence towards an emergent technological society shifted through direct encounters with mechanized warfare, and speculates on the effect of these upon his post-war writing and criticism. By contrasting Lewis's thought against that of his Italian Futurist contemporaries, I will demonstrate the centrality of their divergent conceptions of masculinity in accounting for this opposition – and how Lewis's critique of technological society prefigures contemporary opposition towards the post-humanist philosophy of Accelerationism.

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