Problems of Defence in a Non-belligerent Society: Military Service in the Netherlands during the Second Half of the Nineteenth Century

1977 ◽  
pp. 189-202
Author(s):  
F. C. Spits
1978 ◽  
Vol 2 (2) ◽  
pp. 121-143 ◽  
Author(s):  
Myron P. Gutmann ◽  
Etienne van de Walle

In 1853, the First International Statistical Congress unanimously voted a resolution recommending the establishment of population registers in every country: It is indispensable to establish in each commune a population register. Each household will occupy one page. The first inscriptions will be entered according to the information provided by the general census, and all mutations that will occur in the composition of households will be noted successively and in order. Administrative measures will provide for the assessment of changes in legal residence, in order that there may be an exact match between the persons crossed out and the new inscriptions.Such a register has existed in Belgium since 1846. No other country except Sweden, Finland, and Hungary had much experience with such documents in 1853. The resolution was nevertheless ratified in successive International Congresses, but there was no rush to implement it. Several European countries followed suit, including small German states, the Netherlands in 1856, and Italy in 1864. According to a recent United Nations survey, eleven European countries have population registers that trace their origins to the nineteenth century or before: Belgium, Czechoslovakia, Finland, Germany, Hungary, Italy, Luxemburg, the Netherlands, Spain, Sweden, and Switzerland.


2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.


2005 ◽  
Vol 50 (S13) ◽  
pp. 247-274 ◽  
Author(s):  
Hilde Bras ◽  
Jan Kok

This article investigates developments in and antecedents of socially mixed marriage in the rural Dutch province of Zeeland during the long nineteenth century, taking individual and family histories, community contexts, and temporal influences into account. A government report of the 1850s said of Zeeland that farmers and workers lived “in indifference together”. However, our analysis of about 163,000 marriage certificates reveals that 30 to 40 per cent of these rural inhabitants continued to marry outside their original social class. Multivariate logistic regressions show that heterogamous marriages can be explained first and foremost by the life-course experiences of grooms and brides prior to marriage. Previous transitions in their occupational careers (especially to non-rural occupations for grooms, and to service for brides), in their migration trajectories (particularly moves to urban areas), and changes in the sphere of personal relationships (entering widowhood, ageing) are crucial in understanding marriage mobility.


Author(s):  
Raphaël Ingelbien

This chapter compares Henri Moke’s Le Gueux de Mer (1827) and Thomas Colley Grattan’s The Heiress of Bruges (1830), two historical novels set at the time of the Dutch Revolt and written in the final years of the United Kingdom of the Netherlands. The comparison provides insights into the respective priorities of British and ‘Netherlandic’ writers who dealt in images of Spain in the early nineteenth century. Beyond some clear differences in the ideological urgency of their work, the authors’ liberal politics, their sympathy towards Catholicism and the influence of Romantic Orientalism create important nuances in their versions of the Black Legend, which are ultimately denunciations of bigotry and tyranny rather than expressions of wholesale Hispanophobia.


2021 ◽  
pp. 297-300
Author(s):  
Hannah Smith

This book ends in 1750 but its preoccupations can be traced into the early nineteenth century. The Revolutionary and Napoleonic Wars against France between 1793 and 1815 saw two decades of warfare. Fears of popular revolution dominated the 1790s and 1800s, with radical groups being fiercely suppressed. The government’s concern over radical politics and the politics of class extended to the army. It was remarked that military service abroad had led to soldiers becoming vehement democrats; troops were even alleged to have been reading that working-class radical text ...


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