Historical Perspectives and Dynamics of Nature, Extent, Classification and Management of Salt-affected Soils and Waters

Research Developments in Saline Agriculture ◽

10.1007/978-981-13-5832-6_1 ◽

2019 ◽

pp. 3-52 ◽

Cited By ~ 1

Author(s):

J. C. Dagar ◽

R. K. Yadav ◽

Awtar Singh ◽

N. T. Singh

Keyword(s):

Historical Perspectives ◽

Salt Affected Soils

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Life, Death and the Elderly: Historical Perspectives

Population Studies ◽

10.1080/0032472031000146376 ◽

1992 ◽

Vol 46 (2) ◽

pp. 372-373

Author(s):

Margot Jefferys

Keyword(s):

The Elderly ◽

Historical Perspectives

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Primary prevention: Historical perspectives and a blueprint for action.

American Psychologist ◽

10.1037/0003-066x.41.4.453 ◽

1986 ◽

Vol 41 (4) ◽

pp. 453-460 ◽

Cited By ~ 11

Author(s):

Stephen E. Goldston

Keyword(s):

Primary Prevention ◽

Historical Perspectives

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The Colonial Documentary Film in South and South-East Asia

10.3366/edinburgh/9781474407205.001.0001 ◽

2017 ◽

Keyword(s):

East Asia ◽

Subject Matter ◽

Documentary Film ◽

East Asian ◽

South East Asia ◽

Post Colonial ◽

Historical Perspectives ◽

The Third ◽

Wide Range ◽

Global Understanding

Writing from a wide range of historical perspectives, contributors to the anthology shed new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in colonial, late colonial and immediate post-colonial and postcolonial times in South and South-East Asia. In doing so, this anthology addresses an important gap in the global understanding of documentary discourses, practices, uses and styles. Based upon in-depth essays written by international authorities in the field and cutting-edge doctoral projects, this anthology is the first to encompass different periods, national contexts, subject matter and style in order to address important and also relatively little-known issues in colonial documentary film in the South and South-East Asian regions. This anthology is divided into three main thematic sections, each of which crosses national or geographical boundaries. The first section addresses issues of colonialism, late colonialism and independence. The second section looks at the use of the documentary film by missionaries and Christian evangelists, whilst the third explores the relation between documentary film, nationalism and representation.

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