Neural Processing of Tone Sandhi in Production and Perception: The Case of Mandarin Tone 3 Sandhi

Author(s):  
Claire H. C. Chang ◽  
Wen-Jui Kuo
2021 ◽  
Vol 12 ◽  
Author(s):  
Tingyu Huang ◽  
Youngah Do

This study investigates the hypothesis that tone alternation directionality becomes a basis of structural bias for tone alternation learning, where “structural bias” refers to a tendency to prefer uni-directional tone deletions to bi-directional ones. Two experiments were conducted. In the first, Mandarin speakers learned three artificial languages, with bi-directional tone deletions, uni-directional, left-dominant deletions, and uni-directional, right-dominant deletions, respectively. The results showed a learning bias toward uni-directional, right-dominant patterns. As Mandarin tone sandhi is right-dominant while Cantonese tone change is lexically restricted and does not have directionality asymmetry, a follow-up experiment trained Cantonese speakers either on left- or right-dominant deletions to see whether the right-dominant preference was due to L1 transfer from Mandarin. The results of the experiment also showed a learning bias toward right-dominant patterns. We argue that structural simplicity affects tone deletion learning but the simplicity should be grounded on phonetics factors, such as syllables’ contour-tone bearing ability. The experimental results are consistent with the findings of a survey on other types of tone alternation’s directionality, i.e., tone sandhi across 17 Chinese varieties. This suggests that the directionality asymmetry found across different tone alternations reflects a phonetically grounded structural learning bias.


Phonology ◽  
2010 ◽  
Vol 27 (1) ◽  
pp. 153-201 ◽  
Author(s):  
Jie Zhang ◽  
Yuwen Lai

AbstractPhonological patterns often have phonetic bases. But whether phonetic substance should be encoded in synchronic phonological grammar is controversial. We aim to test the synchronic relevance of phonetics by investigating native Mandarin speakers' applications of two exceptionless tone sandhi processes to novel words: the contour reduction 213→21/—T (T≠213), which has a clear phonetic motivation, and the perceptually neutralising 213→35/—213, whose phonetic motivation is less clear. In two experiments, Mandarin subjects were asked to produce two individual monosyllables together as two different types of novel disyllabic words. Results show that speakers apply the 213→21 sandhi with greater accuracy than the 213→35 sandhi in novel words, indicating a synchronic bias against the phonetically less motivated pattern. We also show that lexical frequency is relevant to the application of the sandhis to novel words, but cannot account alone for the low sandhi accuracy of 213→35.


2015 ◽  
Vol 48 ◽  
pp. 62-69 ◽  
Author(s):  
Ao Chen ◽  
Liquan Liu ◽  
René Kager
Keyword(s):  

2019 ◽  
Vol 40 (6) ◽  
pp. 1495-1526 ◽  
Author(s):  
Ping Tang ◽  
Ivan Yuen ◽  
Nan Xu Rattanasone ◽  
Liqun Gao ◽  
Katherine Demuth

AbstractPhonological processes can pose a learning challenge for children, where the surface form for an underlying contrast may vary as a function of the phonological environment. Mandarin tone sandhi is a complex phonological process that requires knowledge about both the tonal and the prosodic context in which it applies. The present study explored the productive knowledge of tone sandhi processes by 108 3- to 5-year-old Mandarin-speaking children and 33 adults. Participants were asked to produce novel tone sandhi compounds in different tonal contexts and prosodic structures. Acoustic analysis showed that 3-year-olds have abstracted the tone sandhi process and can productively apply it to novel disyllabic words across tonal contexts. However, even 5-year-olds still differed from adults in applying tone sandhi in response to the trisyllabic prosodic structure. The results are discussed in terms of the factors that influence how tone sandhi processes, and phonological alternations more generally, are acquired.


2018 ◽  
Vol 9 ◽  
Author(s):  
Nan Xu Rattanasone ◽  
Ping Tang ◽  
Ivan Yuen ◽  
Liqun Gao ◽  
Katherine Demuth

2020 ◽  
Vol 10 (2) ◽  
pp. 98
Author(s):  
Hui Yin

Studies on Mandarin tone sandhi have focused on Beijing Mandarin. Taiwan has been politically separated from mainland China since 1949, but it is not known if tone sandhi in Taiwan Mandarin displays different patterns or characteristics. However, there has been no comparative study to investigate if Beijing Mandarin and Taiwan Mandarin display the same tone sandhi pattern. This study aims to fill this gap by comparing Beijing and Taiwan Mandarin through a productive experiment to examine acoustic differences between sandhied tone 3 and lexical tone 2. The results indicate that tone 3 sandhi among Mandarin dialects is not a homogeneous category, but displays a graded phenomenon of a categorical change and tonal reduction. The experimental evidence shows that acoustic difference between sandhied tone 3 and lexical tone 2 is larger in Beijing Mandarin than that in Taiwan Mandarin. Gender effects are also detected and acoustic difference in female samples is consistently larger than that in male samples across Beijing and Taiwan Mandarin. The findings suggest that the third tone sandhi in Beijing Mandarin is more like a categorical change (i.e., changed to lexical tone 2) whereas the sandhi in Taiwan Mandarin is more like a tonal reduction.


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