Natural history, natural theology, and social order: John Ray and the ?Newtonian ideology?

1987 ◽  
Vol 20 (1) ◽  
pp. 1-49 ◽  
Author(s):  
Neal C. Gillespie
Keyword(s):  
Natural History ◽  
Social Order ◽  
Natural Theology ◽  
John Ray

John Ray (1627-1705) and the Act of Uniformity 1662

2000 ◽  
Vol 54 (2) ◽  
pp. 153-178 ◽  
Author(s):  
S. McMahon
Keyword(s):  
Natural History ◽  
Natural Theology ◽  
17Th Century ◽  
Cambridge University ◽  
Political Views ◽  
John Ray ◽  
Living Nature ◽  
Natural Philosophers

John Ray was one of the most influential British natural philosophers of the 17th century. His model of natural history served as an organizing principle for the philosophic understanding of living nature and his works on natural theology were seminal. Many modern historians have placed Ray within the Puritan tradition, primarily based on Ray's choice, as an ordained Anglican priest, to leave his fellowship at Cambridge rather than subscribe to the Act of Uniformity in 1662. However, Ray left no explicit evidence of either his religious or political views during this period and his reasons for refusing to subscribe to the Act are not transparent. My analysis of his early Essex environment, his friends and associates at Cambridge University, his correspondence during the crucial years of 1660–62 and the strategies he pursued in his only contemporary published work, the Catalogus Plantarum circa Cantabrigiam (1660) provide no evidence to situate Ray within a Puritan framework and much evidence to suggest that Ray remained committed to Anglican and loyalist principles throughout his career.

John Ray, physico-theology and afterwards

2011 ◽  
Vol 38 (2) ◽  
pp. 328-348 ◽  
Author(s):  
R. J. Berry
Keyword(s):  
Eighteenth Century ◽  
Intelligent Design ◽  
Trinity College ◽  
Natural Theology ◽  
Biblical Interpretation ◽  
John Ray ◽  
The Way

Ray's most widely read book was his Wisdom of God manifested in the works of creation (1691), probably based on addresses given in the chapel of Trinity College Cambridge 20 years previously. In it he forswore the use of allegory in biblical interpretation, just as he had done in his (and Francis Willughby's) Ornithology (1678). His discipline seeped into theology, complementing the influence of the Reformers and weakening Enlightenment assumptions about teleology, thus softening the hammer-blows of Darwinism on Deism. The physico-theology of the eighteenth century and the popularity of Gilbert White and the like survived the squeezing of natural theology by Paley and the Bridgewater Treatises a century after Wisdom … , and contributed to a peculiarly British understanding of natural theology. This undergirded the subsequent impact of the results of the voyagers and geologists and prepared the way for a modern reading of God's “Book of Works” (“Darwinism … under the disguise of a foe, did the work of a friend”). Natural theology is often assumed to have been completely discredited by Darwin (as well as condemned by Barth and ridiculed by Dawkins). Notwithstanding, and despite the vapours of vitalism (ironically urged – among others – by Ray's biographer, Charles Raven) and the current fashion for “intelligent design”, the attitudes encouraged by Wisdom … still seem to be robust, albeit needing constant re-tuning (as in all understandings influenced by science).

Nineteenth-century paleontological art in the Natural History Museum Vienna, Austria: Between demystification and mythologization

2021 ◽  
Author(s):  
Stefanie Jovanovic-Kruspel ◽  
Mathias Harzhauser
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Natural Theology ◽  
Hard Core ◽  
Natural History Museum ◽  
Natural History Museums ◽  
Science Museums ◽  
Cultural Traditions ◽  
History Museum ◽  
Systematic Paleontology

ABSTRACT The nineteenth century was the dawn of scientific and systematic paleontology. The foundation of Natural History Museums—built as microcosmic “Books of Nature”—not only contributed to the establishment of this new discipline but also to its visual dissemination. This paper will take the metaphor of the “book” as a starting point for an examination of the paleontological exhibition at the Natural History Museum in Vienna. In keeping with “Natural Theology,” the earliest natural science museums in Britain were designed as expressions of the medieval idea of the “Holy Book of Nature.” Contrary to this, the Natural History Museum Vienna, opened in 1889, wanted to be a nonreligious museum of evolution. Nevertheless, the idea of the “book” was also influential for its design. According to the architects and the first director, it should be a modern “walk-in textbook” instructive for everyone. The most prominent exhibition hall in the museum is dedicated to paleontology. The hall’s decorative scheme forms a unique “Paleo-Gesamtkunstwerk” (Gesamtkunstwerk: total piece of art). The use of grotesque and mythological elements is a particularly striking feature of the hall’s decoration and raises the question of how this relates to the museum’s claim to be a hard-core science institution. As it was paleontology’s task to demystify the monsters and riddles of Earth history systematically, it seems odd that the decorative program connected explicitly to this world. This chapter sheds light on the cultural traditions that led to the creation of this ambiguous program that oscillates between science and imagination.

scholarly journals ‘Vividness’ in english natural history and anatomy, 1650–1700

2012 ◽  
Vol 66 (4) ◽  
pp. 341-356 ◽  
Author(s):  
Alexander Wragge-Morley
Keyword(s):  
Seventeenth Century ◽  
Natural History ◽  
Royal Society ◽  
Medical Discourse ◽  
Rhetorical Strategies ◽  
Rhetorical Device ◽  
John Ray ◽  
The Mind ◽  
It Knowledge ◽  
The Brain

This article concerns the use of rhetorical strategies in the natural historical and anatomical works of the seventeenth-century Royal Society. Choosing representative works, it argues that naturalists such as Nehemiah Grew, John Ray and the neuroanatomist Thomas Willis used the rhetorical device known as ‘comparison’ to make their descriptions of natural things vivid. By turning to contemporary works of neurology such as Willis's Cerebri Anatome and contemporary rhetorical works inspired by other such descriptions of the brain and nerves, it is argued that the effects of these strategies were taken to be wide-ranging. Contemporaries understood the effects of rhetoric in terms inflected by anatomical and medical discourse—the brain was physically altered by powerful sense impressions such as those of rhetoric. I suggest that the rhetoric of natural history could have been understood in the same way and that natural history and anatomy might therefore have been understood to cultivate the mind, improving its capacity for moral judgements as well as giving it knowledge of nature.

The Natural History of a Social Order

1939 ◽  
Vol 8 (1) ◽  
pp. 81
Author(s):  
William O. Brown ◽  
Andrew W. Lind
Keyword(s):  
Natural History ◽  
Social Order ◽  
History Of
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