Erinnerung und Dissolve: Zum Gedächtniskino in James Joyce’ Erzählung The Dead

2008 ◽  
Vol 38 (4) ◽  
pp. 113-126
Author(s):  
Michael Lommel
Keyword(s):  
James Joyce ◽  
The Dead

As nove vidas de um conto: as traduções de “Os mortos”, de James Joyce, em português brasileiro (1942-2018)

Gragoatá ◽  
2019 ◽  
Vol 24 (49) ◽  
pp. 493-512
Author(s):  
Vitor Alevato do Amaral ◽  
Elis Maria Cogo ◽  
Eloísa Dall’Bello
Keyword(s):  
James Joyce ◽  
The Dead

O presente artigo consiste em um estudo das nove traduções brasileiras de “Os mortos” (“The Dead”), do livro de contos Dublinenses (Dubliners, 1914), do escritor irlandês James Joyce (1882-1941). A primeira tradução desse conto foi publicada em 1942, e a última, em 2018. Esse artigo é, salvo engano, o primeiro estudo que abarca todas as traduções de “Os mortos” no Brasil, entre as que figuram em uma das cinco traduções integrais de Dublinenses (1964, 1992, 2012, 2012, 2018), as publicadas como livro (2014, 2016), a que está inserida em uma seleção (2013) e a publicada em revista (1942). Para este estudo de cunho comparativo, o autor e as autoras selecionaram passagens do texto em inglês para cotejá-las com suas traduções em português do Brasil, de modo a permitir uma leitura que ressalte o trabalho envolvido nas traduções, ilumine possibilidades de interpretação e sirva de fonte de consulta a futuros tradutores de Joyce.

scholarly journals "The Dead", de James Joyce, desde la narratología

1996 ◽  
Vol 21 (0) ◽  
pp. 215
Author(s):  
Josep Besa Camprubí
Keyword(s):  
James Joyce ◽  
The Dead

scholarly journals The Linden Tree in ‘The Dead’ by James Joyce

2017 ◽  
Author(s):  
Iciar Álvarez Pérez
Keyword(s):  
James Joyce ◽  
Short Story ◽  
Song Cycle ◽  
Franz Schubert ◽  
Works Of Art ◽  
The Subject ◽  
The Dead

Abstract:James Joyce uses in his short story ‘The Dead’, included in the collection Dubliners (1914), different literary motives that contribute to construct the subject of the story, which is not other than the fragility that exists between death and life. Among these motives there is the Linden tree that probably Joyce adapted from the song ‘Lindenbaum’ written by Franz Schubert and included in the song cycle Winter Journey (1828). This article attempts to investigate the parallelisms that exist between both works of art and to explain how Joyce succeeds in creating the necessary atmosphere that masterly illustrates the subject of the story.Keywords: Literary motif, Linden tree, death, Winter Journey, ‘The Dead’, James Joyce.Título en español: The Linden Tree en “The Dead”, por James JoyceResumen:James Joyce utiliza en su relato ‘Los muertos’, incluido en la colección Dublineses (1914), una serie de motivos literarios que contribuyen a construir el tema del relato, que no es otro que la frágil línea divisoria que existe entre la vida y la muerte. Entre estos motivos se encuentra el árbol de tilo, que muy probablemente Joyce tomó de la canción ‘Lindenbaum’ incluida en el ciclo de canciones Viaje de Invierno (1828) de Franz Schubert. Este artículo pretende indagar en los paralelismos que existen entre ambas obras y demostrar como Joyce consigue crear la atmósfera necesaria para ilustrar con brillantez el tema del relato.Palabras clave: motivo literario, árbol de tilo, muerte, Viaje de Invierno, ‘Los muertos’, James Joyce.

Aperçues

2018 ◽  
Vol 81 (2) ◽  
pp. 256-267 ◽  
Author(s):  
Georges Didi-Huberman
Keyword(s):  
James Joyce ◽  
Literary Genre ◽  
Henri Michaux ◽  
The Dead

Abstract This text attempts a new genre: the aperçue – from the French verb apercevoir, seeing in passing by, voir en passant. From Baudelaire’s Passante, the aperçues inherit the rhythm of appearing and disappearing and the emotion of seeing, which only unfolds in the temporality of memory and imagination. They are related to figures of afterlife and actualization such as Warburg’s Ninfa and Freud’s Gradiva, capturing ephemeral moments in which the long and discontinuous temporality of memory – and thus also a dimension of lament for the dead – is at work. Lastly, the aperçues are a literary genre, since images – especially those we never saw before remembering them – are made visible particularly through words, as we see reading James Joyce, Henri Michaux, and Yoko Tawada.

scholarly journals THE SENSE OF THE UNENDING IN JOYCE’S DUBLINERS

2018 ◽  
pp. 87-104
Author(s):  
Vanja Vukićević - Garić
Keyword(s):  
James Joyce ◽  
Short Story ◽  
Short Fiction ◽  
Crucial Component ◽  
Story Theory ◽  
The Dead

Based on the main structural and narrative elements and drawing on the predominant views in the short story theory, this paper deals with the analysis of endings in Joyce’s Dubliners, as well as with various modes of their constitution regarding the effect they produce. Since the ending is regarded as the crucial component of short fiction, and bearing in mind the exuberant formal, thematic, symbolic and poetic potential that Joyce’s concept of epiphany has in the structuring of ends, it can be said that Dubliners is a collection that set the standard in the genre. This article aims at delineating the differences between the closed and open ends, pointing to the complex ontological implications of the latter ones, particularly in the light of the final story’s ending, “The Dead”, which also marked a multiple crossing of borders in terms of the form, genre and general poetics of James Joyce

scholarly journals El enigma de la feminidad: La música en “The Dead” de James Joyce y la adaptación cinematográfica de John Huston

2006 ◽  
pp. 90-102 ◽  
Author(s):  
Gerardo Rodríguez-Salas ◽  
Keyword(s):  
James Joyce ◽  
John Huston ◽  
The Dead

scholarly journals Death and the Snow: an inconspicuous relation in James Joyce's "The Dead"

2020 ◽  
Vol 40 (3) ◽  
pp. 210-221
Author(s):  
Vitor Alevato do Amaral
Keyword(s):  
James Joyce ◽  
The Dead

O presente artigo argumenta que, no conto de James Joyce “Os mortos” (Dublinenses, 1914), o verbo lie (jazer) – ao se referir tanto à neve quanto ao corpo de Michael Fury – e o substantivo snow (neve) se associam de forma que reforçam a constante presença da morte na narrativa. O objetivo deste artigo é demonstrar como essa associação opera em prol da criação de um sentido de unidade na narrativa e discutir as traduções do par lie-snow pelo tradutor brasileiro Caetano Galindo.

ALEX NORTH, JAMES JOYCE, AND JOHN HUSTON’S THE DEAD (1987)

2018 ◽  
pp. 351-372
Author(s):  
John O’Flynn
Keyword(s):  
James Joyce ◽  
The Dead

Alex North, James Joyce and John Huston’s The Dead (1987) (351–372)

2020 ◽  
pp. 74-76
Author(s):  
John O’Flynn
Keyword(s):  
James Joyce ◽  
The Dead
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