scholarly journals Corrigendum to “Living with an autonomous spatiotemporal home heating system: Exploration of the user experiences (UX) through a longitudinal technology intervention-based mixed-methods approach” [Appl. Ergon. 65 (2017) 286–308]

2018 ◽  
Vol 69 ◽  
pp. 47
Author(s):  
Martin Kruusimagi ◽  
Sarah Sharples ◽  
Darren Robinson
Author(s):  
Jimin Choi ◽  
Jordana L. Maisel ◽  
Brittany Perez ◽  
Don Nguyen ◽  
Victor Paquet

Wheelchair securement designs for fixed route, large accessible transit vehicles (LATVs) often create difficulties for passengers who use wheelchairs and operational inefficiencies for public transit agencies. Recent innovations in wheelchair securement technology for LATVs may reduce these challenges. This field study builds on a recent lab study that used a full-scale LATV simulation apparatus to address similar knowledge gaps. The current study used a mixed-methods approach to explore the usability of two newer wheelchair securement systems currently installed in LATVs in Buffalo, NY: a 3-point, forward-facing (3P-FF) securement system and a semi-automated, rear-facing (SA-RF) securement system. Three groups of wheelchair users (manual wheelchair [MWC], power wheelchair [PWC], and scooter [SC] users; n = 40) completed a pre-study interview, four trips on the LATVs and accompanying surveys, and a final interview. Using multiple usability rating scales, findings indicated clear differences in ratings of difficulty and acceptability between securement systems by wheelchair user group, with the SA-RF outperforming the 3P-FF on most usability measures for MWC and PWC users. SC users consistently rated both securement systems as more difficult to use and the SA-RF securement as less acceptable than MWC and PWC users.


2012 ◽  
Author(s):  
Adena T. Rottenstein ◽  
Ryan J. Dougherty ◽  
Alexis Strouse ◽  
Lily Hashemi ◽  
Hilary Baruch

2020 ◽  
Vol 13 (1) ◽  
pp. 64-91
Author(s):  
Mellie Torres ◽  
Alejandro E. Carrión ◽  
Roberto Martínez

Recent studies have focused on challenging deficit narratives and discourses perpetuating the criminalization of Latino men and boys. But even with this emerging literature, mainstream counter-narratives of young Latino boys and their attitudes towards manhood and masculinity stand in stark contrast to the dangerous and animalistic portrayals of Latino boys and men in the media and society. Utilizing a mixed-methods approach, the authors draw on the notion of counter-storytelling to explore how Latino boys try to reframe masculinity, manhood, and what they label as ‘responsible manhood.’ Counter-storytelling and narratives provide a platform from which to challenge the discourse, narratives, and imaginaries guiding the conceptualization of machismo. In their counter-narratives, Latino boys critiqued how they are raced, gendered, and Othered in derogatory ways.


Screen Bodies ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 31-55
Author(s):  
Samantha Eddy

The realm of horror provides a creative space in which the breakdown of social order can either expose power relations or further cement them by having them persist after the collapse. Carol Clover proposed that the 1970s slasher film genre—known for its sex and gore fanfare—provided feminist identification through its “final girl” indie invention. Over three decades later, with the genre now commercialized, this research exposes the reality of sexual and horrific imagery within the Hollywood mainstay. Using a mixed-methods approach, I develop four categories of depiction across cisgender representation in these films: violent, sexual, sexually violent, and postmortem. I explore the ways in which a white, heterosexist imagination has appropriated this once productive genre through the violent treatment of bodies. This exposes the means by which hegemonic, oppressive structures assimilate and sanitize counter-media. This article provides an important discussion on how counterculture is transformed in capital systems and then used to uphold the very structures it seeks to confront. The result of such assimilation is the violent treatment and stereotyping of marginalized identities in which creative efforts now pursue new means of brutalization and dehumanization.


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