Violence in the City of Women: Police and Batterers in Bahia, Brazil. By Sarah J. Hautzinger. Berkeley: University of California Press, 2007. Pp. xx, 342. Illustrations. Maps. Notes. Glossary. Bibliography. Index. $55.00 cloth; $21.95 paper.

2011 ◽  
Vol 67 (3) ◽  
pp. 419-420
Author(s):  
Natasha Borges Sugiyama
Author(s):  
Samantha Caslin

This chapter examines the development of some of Liverpool’s most significant moral welfare organisations between the late-Victorian period and the end of the First World War. It unpacks the early historical trajectories of the House of Help, the Liverpool Vigilance Association, the Liverpool Catholic Women’s League and the Liverpool Women Police Patrols, and it argues that these organisations continued to view women’s relationship to the city through the lens of Victorian gender ideals. Moreover, the chapter examines how the pioneering and well-intended efforts of these organisations to craft a ‘respectable’ form of public womanhood during the first two decades of the twentieth century were still steeped in presumptions about the immorality of the working class, and working-class women in particular.


2016 ◽  
Vol 6 (3) ◽  
pp. 80-83
Author(s):  
Greg Niemeyer

With Brittney Silva’s tragic May 2014 death fresh in everyone’s memory, the city of San Leandro began collaboration efforts between them and University of California, Berkeley to do something to make the city safer for pedestrians. A course was developed at UC Berkeley called Sensing Cityscapes, offered Fall 2015, aiming to collect data about human activities too often ignored. As part of the interdisciplinary UC Berkeley Global Urban Humanities Initiative, the class aimed to harness methods not just from city planning, engineering, and architecture, but from the humanistic disciplines, cognitive science, art, public health, and performance studies, bringing students together from each field. We now are bringing the installation back to the streets of San Leandro with the support of a National Endowment for the Arts (NEA) Our Town grant for a project called San Leandro Lights. Transferring the project from the lab back to the street, we hope that the positive effect for individuals we observed in the lab will remain, and that responsive lighting will create a dynamic culture of attention.


2014 ◽  
Vol 46 (2) ◽  
pp. 105-110
Author(s):  
Celeste Fraser Delgado

It appears to be a ritual among salsa dance scholars to open by sharing a personal salsa experience. I will follow their lead: My introduction to Los Angeles–style salsa came on a Saturday night in the spring of 1999, when I had the pleasure of taking a tour of the city's salsa scene with dance scholar Juliet McMains. Already an established professional ballroom dancer, McMains was just beginning her graduate studies at the University of California–Riverside where I was visiting faculty, having recently co-edited a collection on Latin/o American social dance. Lucky for me, McMains was among the many brilliant students who enrolled in my class on race and dance. The night of our tour, she invited a handsome friend and fellow ballroom dancer to partner first one of us, then the other, throughout the night. He drove us around the city as we stopped at a cramped restaurant-turned-nightclub in a strip mall, at a glamorous ballroom in Beverly Hills, then ended the night downtown at a massive disco in a former movie palace, the Mayan nightclub.


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