Queen Caroline and Sir William Gell: a study in royal patronage and classical scholarship. By Jason Thompson . 220mm. Pp xxiii + 266. Palgrave Macmillan, Cham, Switzerland, 2019. isbn 9783319980089. £59.99 (hbk).

2021 ◽  
pp. 1-2
Author(s):  
Adrian James
1977 ◽  
Vol 12 (5) ◽  
pp. 45-61 ◽  
Author(s):  
A. John Watson

Author(s):  
Mukti Khaire

This book describes how commercial ventures in creative industries have cultural impact. Since royal patronage of arts ended, firms in the creative industries, working within the market mechanism, have been responsible for the production and distribution of the cultural goods—art, books, films, fashion, and music—that enrich our lives. This book counters the popular perception that this marriage of art and business is a necessary evil, proposing instead that entrepreneurs who introduce radically new cultural works to the market must bring about a change in society’s beliefs about what is appropriate and valuable to encourage consumption of these goods. In so doing, these pioneer entrepreneurs change minds, not just lives; the seeds of cultural change are embedded in the world of commerce. Building on theories of value construction and cultural production, integrated with field research on pioneer firms (like Chanel and the Sundance Institute) and new market categories (like modern art and high fashion in India), the author develops conceptual frameworks that explain the structure and functioning of creative industries. Through a systematic exposition of the roles and functions of the players in this space—creators, producers, and intermediaries—the book proposes a new way to understand the relationship among markets, entrepreneurship, and culture. Khaire also discusses challenges inherent in being entrepreneurial in the creative industries, paying special attention to the implications of digitalization and globalization, and suggests prescriptive directions for individuals and firms wishing to balance pecuniary motivations with cultural convictions in this rapidly changing world.


Author(s):  
Susanna Braund

The focus of this chapter is the major American verse translations published in the last fifty years. These translations were inevitably framed by Virgil’s attitude to empire, since that resonated with each translator’s stance on the war in Vietnam. Braund situates Mandelbaum’s, Fitzgerald’s, Lombardo’s, Fagles’s, and Ruden’s translations in the larger context of American classical scholarship and previous translations of Virgil’s epic. Furthermore, Braund offers an interesting juxtaposition in gender perspective between the male translators, who, as professors, were all influenced by scholarly debates, and Sarah Ruden, who, as a woman and as a professional translator, undertakes her task on the margins of the academic controversies and provides the reader with an altogether different and more distanced perspective.


Author(s):  
Jennifer Batt

This book explores the complex and contested relationships that existed between class, patronage, and poetry in Hanoverian England by examining the life and work of Stephen Duck, the ‘famous Threshing Poet’. In 1730, Duck became the most famous agricultural labourer in the nation when his writing won him the patronage of Queen Caroline. The man, and the writing he produced, intrigued contemporaries. How was it possible, they asked, for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck’s remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. This book sheds new light on the poet’s early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, ‘The Thresher’s Labour’; how his public identity as the ‘famous Threshing Poet’ took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. And it reveals how, after Duck’s death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.


1986 ◽  
Vol 20 ◽  
pp. 197-216
Author(s):  
Michael Tanner

Although Nietzsche's greatness is recognized more universally now than ever before, the nature of that greatness is still widely misunderstood, and that unfortunately means that before I discuss any of Beyond Good and Evil (henceforth BGE) in any detail, I must make some general remarks about his work, his development and the kind of way in which I think that it is best to read him. Unlike any of the other philosophers that this series includes, except Marx and Engels, Nietzsche is very much concerned to address his contemporaries, because he was aware of a specific historical predicament, one which he would only see as having worsened in ways which he predicted with astonishing precision in the century since he wrote his great series of works. For he was above all a philosopher of culture, which is to say that his primary concern was always with the forces that determine the nature of a particular civilization, and with the possibilities of achievement which that civilization consequently had open to it. One of the reasons that The Birth of Tragedy, his first book, published when he was twenty-eight, created such a surge of hostility in the world of classical scholarship was that in it, whilst undertaking an investigation of what made possible the achievements of fifth century BC Greece in tragic drama, he felt it necessary to elicit the whole set of fundamental beliefs which the Greeks shared, and also to draw metaphysical conclusions from the fact that they were able to experience life in such a way that they needed great tragedies in order to endure it.


1992 ◽  
Vol 78 (1) ◽  
pp. 241-258 ◽  
Author(s):  
John Baines

The Thirtieth Dynasty biography and figure caption on the sarcophagus of the dwarf Djeho (Cairo CG 29307) and a passage from the sarcophagus of the high official Tjaiharpta (CG 29306) are presented in annotated translation. Djeho's longer text appears unique in being concerned more with the other-worldly destiny of another person, Tjaiharpta, than with Djeho himself. The two similar hard-stone sarcophagi were buried in a single tomb near the Sarapieion road at Saqqara, together with at least seven other people. The presentation of one person's merits through another is probably connected with Djeho's role in dancing at the mortuary ceremonies of the Apis and Mnevis bulls. Among other questions, the find raises issues of royal and non-royal patronage, of the location of tombs, the placing of biographies on sarcophagi, the use of intermediaries before the gods, and the implications of Tjaiharpta's partial deference to Djeho in relation to general conceptions of the person.


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